Thursday, June 28, 2012

the combination of the bronze sculpture with the huge unstoppable history power brings forth the lofty beauty


Although we can not know what walk of the ancient Shu people in the rugged Hill how long, but we can appreciate the indomitable spirit and perseverance of the ancient Shu people. It is this spirit and perseverance to create the brilliant civilization of ancient Shu, also opened a window of China to the world of soil into - unitization soil synthesizer - Sanxingdui bronzes and pottery pottery material easy and simple production, with impermeable, and can withstand high temperature barbecue, so various agricultural nation daily Sanxingdui bronzes ceramics of the ancient Shu State of a very high level.
 Sanxingdui chinese bronze unearthed large quantities of small flat and the tip end of the tank, bowl, cup, cup, etc., Sichuan pottery typical artifacts. this tip at the end, the bottom of a small cylindrical cone. to put the fundamental instability, a similar seat artifacts are unearthed in the ruins was estimated to be used and pointed at the end device with high handle high shank, beans above the discoid body, mainly for Sheng (cheng2) put food, the lower part of a flared ring enough connection between the two tubular beans (ba4), some bean residue long as high as over 70 cm, which is sat on the floor of the ancient people designed for convenient living a very clever and useful life of appliances. this high handle beans device pedestal engraved with one eye, eyes graphic on the Sanxingdui bronze artifacts occur more frequently, must have deep meaning. The  bronze sculpture art on behalf of the spirits at that period so far has made us appreciate and praise without a break.Unearthed the ruins of a large number of wine vessel, food to meet the daily, the remaining part has been used to make wine, wine in the most unique to the Tao He and bottle-shaped cup. Tao He (hé - Tao He (hé) - is generally believed that it is a warm wine vessel, most of the third year the lower of 40 cm. Owing to the mystical terror, the combination of the  bronze sculpture with the huge unstoppable history power brings forth the lofty beauty. Tao He three (h hollow pocket enough either to increase the capacity of the Tao He can be a fire heating, the design is very reasonable in the ruins of a pit, he found a Tao He and more than 20 pieces of bottle-shaped cup placed a visible wine vessel is supporting the use of bottle-shaped cup bottle-shaped cup was made to the bell, thin bottleneck, round flat, and some neck decoration, look simple and beautiful, because of this small-type bottleneck, some scholars have speculated that the wine at that time should be possible to "wine Tre (zǐ,) "Sake sacrificial pit of Sanxingdui bronzes ruins were unearthed over 80 pieces of ivory, was identified as the Asian elephant's incisor scholars believe that they are a symbol of wealth of the ruling class.
 As for the source of ivory, was locally produced there may Shu Zhou neighbor countries and even further afield commerce transactions. ancient Shu is located inland, sacrificial pits in Sanxingdui bronzes unearthed nearly 5000 seashells. general explanation, seashells civilization society early in the original currency of the commodity exchange, we can see the ancient Shu State and the surrounding areas of commerce and trade frequently. It is the mysterious animal deformation on the  bronze sculpture that really matters. II sacrificial pit was also excavated four imitation of seashells from the copper shell of this copper shell are in the country rare, whether it is the earliest a metallic currency, to be further investigated. a large number of archaeological data to show that as early as three or four thousand years ago, Shu and surrounding areas or even further afield there is the cultural exchanges and economic exchanges.
 According to research, the Qin Dynasty had already opened the Chengdu Plain as the starting point of ancient China and South Asia, Central Asia, West Asia and Southeast Asia "Southern Silk Road". A sentimental attitude can not understand the art of the  bronze sculpture Age.

Sanxingdui bronze civilization interrupted in the local development process


The  bronze sculpture still maintains a great aesthetic charm. Is generally believed that the establishment of the city, places of worship settings, generation of bronze, and text appear ancient civilization and national flag. Sanxingdui bronzes is not a general settlement, the village, but ranked in the southwest of the early city, country, particularly the combination of the relics unearthed in the ruins of the ancient Shu State in various fields has achieved remarkable achievement. Sanxingdui bronze ancient Shu State and there is no "Quiet Night" and not in contact with other regions, unearthed in the ruins Yu Ge, Yu Zhang (zhāng), Tao He (hé), bronze ornaments, copper statue, Jiangsu, Henan Anhui unearthed artifacts are very similar.
Found in Peng County, Sichuan bamboo tile Street the copper goblet (zhì,) and copper statue belonged to the central end of weekly business is likely to be the Shu army to participate in the weeks Wang reward of the struggle to destroy providers booty to Shu Wang; Central Plains Oracle there is no lack of records of Zheng Shu, "cutting Sichuan, Sichuan shot three hundred" ... There are signs to tell us the ancient Shu is filled with the spirit of openness. Sanxingdui bronzes sites four culture as early as the Shu culture from the gloom and doom period, roughly equivalent to the end of weekly business, dating from 3200 to 2800. Yet the  bronze sculpture  did have its historical legitimacy at that era. The pottery of the four small flat-bottomed pot and tip at the end. During this period, certain factors make the grand Sanxingdui bronzes ancient city was suddenly abandoned, Sanxingdui bronze civilization interrupted in the local development process.
 In early 2001, with the discovery of Jinsha site in Chengdu, the traces of the ancient Shu remarkable clarity. The era of the Jinsha site about the late Shang to early Western Zhou Dynasty, late in the Sanxingdui bronzes sites, has a close relationship between. Scholars believe that the Sanxingdui ancient Shu State, political and cultural center southward migration to Chengdu, the ancient Shu culture to this transferred to a new stage of development. Matter Tianfu China - agriculture and trade of the second unit Wuhua Tianfu - Sanxingdui bronzes unearthed in the ruins of the body huge ceramic pots, ceramic vat, pottery, etc., may be fitted food container, they are multi-type body mass, reflects the diversity of crop production at that time. Animal husbandry, agricultural prosperity of the ruler, more Sanxingdui bronzes unearthed the remains of domesticated animals and pigs, sheep, horses, chickens and other animal shapes, one can imagine the poultry industry has a certain scale, agricultural products is also very rich. It is true to China’s taotie common on the  bronze sculpture .  Chongzhou Shuanghe, Shichiku,, Village, the ancient city ruins , Pixian ancient city ruins found for bulk. The discovery of these ancient city, indicating that as early as the late Neolithic period Chengdu Plain has been the size of the city-state organization, of which only Sanxingdui bronzes stand out to become the center of the ancient Shu Du. This dual nature of religious ideas, emotions and imaginations will gather in this weird and ferocious image on the  bronze sculpture . Sanxingdui bronze dragon in the archaeological sense is the culture of the Sanxingdui bronzes site two to three representatives of about 4000 years ago to 3200 years, the equivalent of the Central Plains region of the Xia and Shang era, this is the most prosperous period of the Sanxingdui bronze culture in general considered to be the legends of the ancient Shu history Yufu Wang period. Very local characteristics of this stage handle beans, small flat-bottomed pot, the birds head (ba4) spoon pottery appeared in large numbers, and the formation of the basic combination of Sichuan pottery. From the beginning of the two Sanxingdui bronzes into civilization.
 The people built walls, east, west and south side walls. Area of nearly 40,000 square kilometers of central cities have been built, the city layout is reasonable, well-structured. According to different functions need to be divided into the living area, workshop area, worship areas, burial, and the palace area.

Sunday, June 24, 2012

bronze dragon tired round covered basket drum used by peddlers Lu Hao violent Shop garlic clamor


seize the characteristics of the image of the Japs, with the rugged performance practices, the Japanese officer's ugly body characterized the works of other conceptual expression is the head removed, in the traditional method of bronze sculpture creation is impossible to achieve effect. to turn around to give visitors the feeling of these fascists is no ideology and human nature. In the ancient documents, it is said that people of Hand Dyansty used cicada as the ornaments of the  bronze sculpture .  achieve these feelings is the concept of sex.
See "World Art" foreign art history catalog: Conceptual Art in March Chongqing University Master's degree thesis of the anti-fascist war theme shelves Bronze Sculpture language analysis of the expression of results. tour of the 045 works, from Tianjin Jing Yumin creation peers Age (Figure 4.9) also reflects the concept of modern bronze sculpture created works with the comparison of the two people the same age grow at different times, showing the author's understanding of war and peace. The cicada patterns on the  bronze sculpture are mostly triangular-shaped drooping leaves and the bottom has nodular stripes.  By the arrangement of the two characters the same form of space, while only change the hands of Figure 4.9 China, Tianjin, Jing Yumin: age years Fi94, the ages cohorts. props and costumes for visitors between the two contrast each other and this process has been the inspiration of war and peace bronze sculpture works in the hands of props and clothing with a clear tendency.
Gun is a weapon for the war years; camera represents art and beautiful is the symbol of a peaceful era. works by this comparison, the moral of today's young Source: Chinese Artists Association for the hard-won happiness of peace, prosperity and bronze sculpture tour is issued Portfolio, the peers of the previous generation of youth and life in exchange for the people cherish today's peaceful environment. author I recently completed anti-fascist war theme rack bronze sculptures "1945 Spring" (Figure 4.10) also used the concept of the technique of expression to the conception and creation of the work the use of realistic and exaggerated deformation of a combination of techniques, showed the author I surrender of Japan and France in 1945. The  bronze sculpture of that time is always surrounded with Yunlei wen (cloud and thunder).Conceptual bronze sculpture based on historical themes for the anti-fascist war theme as the background and creative themes to express the author the thinking and views of this piece of history, people reflect on the join at the same time thinking of the creator of the personal and emotional expression out of rational thinking and the mind alone. curse chips Ru Ming Mu Liaoning 'Zhangbing Tian,: Fig.4.8 The memory ofNanjin The home Zhang Bingtian creation of "Nanjing memory (Figure 4.8) reflects the author created conceptual background of the works of creation theme selected from the Nanjing Massacre of creation, calyx Teng-wall Cantonese oo! three energy Liaoning! bronze dragon tired round covered basket drum used by peddlers Lu Hao violent Shop garlic clamor, Qing Ping fan first of this historical formation of a certain ideological understanding of the feelings of the creative theme, manifested by the form of language. The decorations on the  bronze sculpture are phoenix bird, owl and the like, luan wen and wild goose arranged in groups, etc.
In this piece, the authors want to show the evil nature of Japanese militarism and the crimes committed on a peace-loving people of Nanjing. work did not go to a true and detailed picture of the facial features of the officers of Japan and France, instead of using a conceptual approach.

to be creative into a bronze sculpture works

Wang Hu Wang Songkai basis for this famous photograph of a bronze sculptures made of this piece is a slightly larger-than-life statue. Works with a highly realistic approach, the instantaneous behavior of two protagonists in the victory celebration a true and vivid performance out of this creative way to generally adopt a creative approach like the bronze sculpture. because the photographs are as like a field recording. select the key elements expressed in the photographs, and then the bronze sculpture of measurements of spatial language in the original data expressed the meaning of the re-creation to enhance the content of works of art and play appeal Bronze Sculpture language. It had become the primary pattern on the  bronze sculpture  in Yin Dynasty. This creative approach has the advantage to visualize, very vivid visual expression to express the works of connotation, but these too image the image of the bronze sculpture is generally inappropriate to scale to do a great need to re-Figure 4.7 China, Beijing.
Wang Hu Wangkai Song: kiss of victory Fi94.7The kiss for victory. Source: Chinese Artists' Association Code peace, prosperity and bronze sculpture tour is issued Portfolio 3l Journal of Chongqing University of the anti-fascist war theme shelves Bronze Sculpture language simplification and generalization of treatment to simplify the excess image, so that the work is more refined, performance the concept in the concept of force is also stronger. The  bronze dragon was present in large numbers in Western Zhou until the Spring and Autumn period. anti-fascist war theme rack bronze sculptures, conceptual bronze sculpture bronze sculpture is an artistic vocabulary nineties of the last century, the rise of Chinese bronze eagle circles. frame carved on the bronze as the language of art to explore the cutting-edge.
 Bronze Sculpture conceptual exploration. conceptual art before and after the sixties of last century, the first to explore conceptual art Marcel Duchamp and other readymades to express the concept, The tradition of bronze sculpture concept the deconstruction conceptual bronze sculpture of mainly bronze sculpture art form or theme, but in some form or theme to express the thinking and ideas of the creators of reality. Mostly bird wens of the  bronze sculpture  in Shang were short tails while the Western Zhou more was long tails and high crest. And traditional bronze sculptures the creative concept of the difference between traditional bronze sculpture creative concepts more attention to the unity of the narrative and plot external form of the requirements of form and content. conceptual bronze sculpture language creators of creative new ideas and structure level creative theme is no longer a description of a single thing or event in the past, but to diversify. It often is to be that people are familiar with the, to be creative into a bronze sculpture works, using bronze eagle language public nature and to commemorate the performance, make the work more appealing to the longevity of this tour of the 030 works "Victory Kiss" (Figure 4.7) gtJ for the source from the U.S. the end of World War II, a famous historical photos this Photo the photographer Aifeiliede taken in Times Square in New York on August 14, 1945, a young sailors embrace from the side of a stranger, wearing white uniforms, nurses, bold kiss they hugged kissing scene snap down the U.S. The deformation of bird wen on the  bronze sculpture appeared earliest in the Erligang period. "Life" magazine used as a cover photo. Since then, this photo famous the world and go down as celebrate the victory of World War II, one of the most moving scenes from Beijing,


Sunday, June 17, 2012

Taotie was much prevalent on the bronze sculpture in Shang and early Western Zhou


the final concept presented to the viewer to meditation space, the main features of symbolic practices, but also can profound expression of the cultural connotations of the work would like to because of one. universality of a universal cognitive model to render some image or symbol of universal cognitive model is formed in a certain cultural context, for example, when mentioned pigeons, everyone will think this is a symbol of peace so that you can use the figurative language of the dove of peace to express the abstract concept of peace subjectivity because the main purpose and content of the performance is a subjective product of the idea. The animal on the bronze sculpture is also a medium of aiding the shaman’s communication with the God. image in much more than the customer. see Cheng Kun, 'the world's bronze sculpture The Complete Works of the Western part of the next volume, Henan Fine Arts Publishing House.
First published in September 1989, 363 16 Chongqing University Academy of Anti-Fascist bronze sculpture of war theme to the reproduction of the monument artistic language view of things, but with a specific figurative language to express subjective ideas. Soviet bronze sculpture home Wu cut Silajdzic, the creation of the motherland - mother "(Figure 2.1) The monument is to use a symbolic approach works the image of a mother, her sword in hand, the rotary body, issued a solemn cry to his sons and daughters to defend the motherland, safeguard peace, to fight for the motherland, fighting for freedom. Taotie was much prevalent on the bronze sculpture in Shang and early Western Zhou. work is a metaphor for the mother and implied motherland motherland as their mother are common in many cultures. the performance of this piece is to seize the common moral symbol of the motherland this abstract concept is simple and clear out mother the sword in the hands of the titanium material, the reflection of the sun shine.
Sword is a symbol of power, but also implies the freedom people have to take up arms. statue behind the fall in the shoulder scarf with the wind moving, both to increase the dynamic of the work, but also make people feel the coming of a storm of the times the whole piece form of concise and clear, impressive, but the same time, also hinted that a rich symbolic meaning. The bronze sculpturecame back to style after the Eastern Zhou Dynasty.  It is symbolic bronze sculpture to the objectives pursued by the language. From Cubism to Abstract Expressionism artistic language of Cubism, Futurism, and Abstract Expressionism is the rise of the twentieth century movement in art, echoed among the three mastery form a complete context of the development of modern art to abstract Cubism.Sidongfeidong. trance to have realized, so that readers understand the implicit meaning. symbolic language is not the pursuit of pure uncertainty, not intentional pursuit of the obscure, but the pursuit of the half-dark, light and dark tie, confusing imagery. It can be seen that the decorations of miraculous animal on the bronze sculptureare just the performance of vividly images of animals.  To sum up, the symbolic language of art has the following features: The conceptual expression of a certain concept of symbolic language only ideal, it is not visible shape as the main purpose, but the creation and embody abstract ideas and concepts as the anti-fascist war theme, these ideas are generally preached characteristics of the idea of peace, and demonstrate the power of justice or national forces of the powerful or the performance of war crimes against humanity nature symbolic specific image meaning and suggest that these concepts. these concepts with abstract. This abstract concept to convert the figurative language of the visual, through a series of imagination and analysis, and analogy, suggesting that emerge,

Further speculation indicates that this person on the bronze sculpture is not being swallowed as a sacrifice


Further speculation indicates that this person on the bronze sculpture is not being swallowed as a sacrifice. The Complete Works of Western part of the next volume, Henan Fine Arts Publishing House, September 1989 first edition of 360 pages of Chongqing University Academy of Anti-Fascist War theme bronze carved monument of artistic language misunderstanding. overly narrow understanding of realism, and excessive emphasis on realism realistic and circumstances of the practices that realism works the best and most important form of expression, blindly exclusion and negation of a variety of art the use of forms, thus weakening the deep cultural connotation of the excavation work on such a theme. This portrait exactly corresponded with the image of beast eats man on thebronze sculpture. Man-made symbol, abstraction and other forms style language exclusion outside the artistic creation, contrary to the flourishing of artistic creation, contending the rules. seriously hindered bronze sculpture home of creativity and artistic language exploration and innovation.
Thus once the anti-fascist war theme bronze eagle monument creation into naturalism and slogans type and the morass of formulaic, people tired of the tongue, tedious, vulgar, cents the appeal of art and beauty back to this situation will soon get better. the rapid development of the productive forces of World War II to promote the concept of updates to speed up the exploration and use of new forms of language more and more attention, resulting in the formation of today's colorful bronze carved monument in the form language the 2.3-3 symbolic language symbol refers to the specific things meaning something special in the creation of bronze sculpture of shaping the main image and be an indirect hint to show a higher than of itself is more abundant connotation. symbolic artistic language between all aspects of nature correspond with each other and fit together to identify the intrinsic link between visible things and invisible spirit. A shaman on this bronze sculpturewas resorting to his magic arts to contact with God. Realism has become one of the mainstream thinking of the bronze eagle monument creation of anti-fascist war theme by its impact, early sculpture monument creation of such a theme is also the creative style of realism. It is generally realistic portraits in the form of the performance of the hero or an anti-fascist war theme to represent the image of a sculpture monument. the the monument ofBerlin. The human-head on the Si Mu Wu ding and the other bronze sculptureare placed right between two animal heads. Source: Xi Jing of the book "The Russian Soviet art history" [the J1 Tianjin People's Fine Arts Publishing House of Liu Kaiqu CJII Army War Monument (Figure 2.7) not only reflects the realistic art style of the monument is forever recorded witness of the great achievements and great sacrifices made by the Sichuan People's War of Resistance Against Japan: a young soldier pedal tattered straw sandals, wearing shorts, dressed in old uniforms, the name of leggings, chest hanging from the two wooden handle hand grenades, one on the old rifle bayonet carrying a sword and a bamboo hats.
 His hands holding the back of this bronze dragon creation source from the real life image, on behalf of millions out of Sichuan anti-Japanese Sichuanese, a typical representative of the realistic style. another masterpiece of realism style Soviet bronze eagle family arms cut Silajdzic created the Soviet liberation of Berlin monument (Figure 2.8) monument realism realism practices bronze sculpture of a Soviet soldier, he was wearing a military coat, one hand and a sword in the other hand holding a German orphan this piece is 30 meters high, magnificent, the overall sense, the characteristic vertical length pleated used to strengthen the sense of the form of work and the Liu Kaiqu Sichuan Army War Monument, are a typical figures to show a history of anti-fascist war, but should see the excessive use of realism to make such a theme bronze eagle monument creation has been into see Zheng Kun edited by World bronze sculpture.

Sunday, June 10, 2012

The bronze eagle monument space create a well to grasp the characteristics

The pattern of tortoise is unusual on the bronze sculpture. Development of domestic and international anti-fascist war bronze sculpture theme-based development and Chongqing local city demand for mining of historical and cultural resources can be concluded from the anti-fascist war bronze sculpture theme works of art there is much room for development, and predictable in the Chongqing construction of a large number of such genre of bronze sculptures. The shape of this bronze sculpturegenerally is depicted as a whole turtle.  Therefore, the need to accelerate research to provide theoretical support for the future such a theme bronze sculptures creation of the bronze sculpture of the language of art. 5.3 thinking Bronze Sculpture Language of the provisional capital of the War against Japanese culture conditions.
 Anti-Fascist War bronze sculpture theme artistic language to explore the environment of the fight provisional capital of culture is to be combination of geographical features and Chongqing Chongqing Chongqing geographic characteristics by creating a form of culture landscape cultural patterns of combining with the unique anti-fascist war historical facts. Chongqing is a landscape of the city. The great mountains and rivers is the most important geographical features in Chongqing. Such geographical features created Chongqing unique mountain water ring around the three-dimensional spatial structure. This type is not much seen in the bronze sculptureexcept for the plates. Bronze eagle monument of anti-fascist war themes to create a point of view, this spatial structure is from the monument itself, the spatial structure of arrangement or coordination with the environmental space is concerned, is unique. Space form different from the Soviet model, and European and American models chinese bronze eagle monument unique space to create.
The monument of the Soviet model space to create a grand physical scale for the United States; European and American models of the monument to the space to create a point of view of the audience in the record of the works set viewpoint and the interaction of the audience and works to embody the spirit of participation. Chongqing geographic features make the audience has to reflect the distance from far and near, and the level of the different sequence to create a monument to space a certain degree of difficulty, but at the same time was able to work space. Yunlei(clouds and thunders) is a typical and important decoration on the bronze sculpture of China.  The bronze eagle monument space create a well to grasp the characteristics of the Chongqing geographic space, you can achieve the effect of visual space.
Can play a great momentum of the anti-fascist war bronze eagle monument can also reflect the participation and spiritual experience of the work. In addition, the geographical features created Chongqing fortitude brave, trustworthy, Shigeyoshi unity, cooperation, open the character of the Journal of Chongqing University Bronze Sculpture language in the provisional capital of the War against Japanese culture conditions to explore the thinking innovative "urban culture. The basic character of the bronze sculpture is geometric figure constructed by continuous swing-shaped lines.  Anti- fascist war bronze sculpture theme of artistic language use should be based on the geographical features of Chongqing, and it created cultural landscape of urban cultural character of Chongqing, in order to show this work is the real and Chongqing geographical features combination of work and able to withstand live the test of time. Chongqing is a historic city, has a long culture of Chongqing, our ancestors left behind many bronze sculptures.  Anti-fascist war, the provisional capital of culture is the development of Chongqing worth writing about in the history section of history occurred in many of the epic story. mining the provisional capital of the Sino-Japanese War and cultural resources, rich in Chongqing urban culture. Therefore, many experts should Chongqing into the goal of "Hero City" Bronze Sculpture is a public and The commemoration of the highly artistic, in the performance of works of art of the anti-fascist war bronze sculpture theme has a unique expression of so many cities have adopted in the performance of anti-fascist war bronze sculpture theme bronze sculpture in the form of the performance of this theme specifically is the use of a bronze eagle monument, bronze sculptures and commemorative shelves bronze sculpture carved to commemorate the form of the performance of the historical themes of the anti-fascist war.

This pattern on the bronze sculptureoften performs the shape of fish


The mediation of the Chinese Government in Chongqing, the home rock held in the United States and Britain joint military meeting, officially formed the military alliance of the three countries together with the Soviet Union, World War II international anti-fascist semi-final pattern.
Soon thereafter, America, pods and other countries one after another announced the abolition of the unequal treaties signed with China in World War II, Chongqing has become the international city par with Washington, London, Moscow, 14 in Chongqing people, the indiscriminate bombing of the Japanese machine, insisted on the production, making a donation to support the front to support the national liberation war, with great self-sacrificing spirit and determination of the extraordinary cultural character, eight-year war against fascism provisional capital culture extremely valuable spiritual wealth for Chongqing Chongqing important position and role in the war against Japan and France, Japan enacted a 101 battle plan. This pattern on the bronze sculptureoften performs the shape of fish.
 February 18, 1938 to 1943 August 23, Japan Battle When the capital of China, Chongqing, up to five years of strategic bombing, known as the "Bombard" bombardment of Japan, has created a tragic "Five, five four bombing", "August nine bombing and sixty-five tunnel tragedy. "Bombard" lasted so long, broad scope, the disaster caused by the deep, during World War II and the history of human warfare are rare. The patterns of fish are often carved inside a bronze sculpture. of existing anti-fascist bronze eagle position and prospects for the development of inspection of the subject of war can be found in Chongqing city in the investigation of the anti-fascist war theme bronze sculptures, only a handful of bronze sculptures of such subject matter.
They are small works relatively well-known the event of Jiaochangkou Memorial and War sixtieth anniversary of the victory of the 1980s have completed by tutor Professor Guo Xuanchang and Professor Wu Ming "Bombard Memorial statues and" works for historical reasons, has been ignored since the war the provisional capital culture of mining in the creation and construction of the anti-fascist war theme bronze sculpture with foreign compared to the same type of city, there is a big gap between the countries in the world with the arrival of this special occasion of the sixtieth anniversary of the victory over fascism, the rise again an "Remembering the past, cherish peace," the ideological trend of a large number of bronze sculptures creation and building out 14 See Xiao-Xia Yang, Chen Guosheng Provisional Capital and cultural resources and tourism development are set out in the 'Economic Geography "1997 in September of t'72. It reflects that the ornaments and the form of the bronze sculptureare closely integrated.
 Journal of Chongqing University for the provisional capital of the War against Japanese culture conditions Bronze Sculpture language to explore the thinking in this context, Chongqing, a large number of local experts and scholars began to study war provisional capital of culture, called for the creation and construction of Chongqing bronze sculptures of the geographical characteristics of the anti-fascist war theme, in order to reflect and build the war provisional capital of culture in Chongqing Chongqing, the urgent need for anti-fascist war theme bronze sculptures. Besides, it is not rare to see them on the bronze sculptureor mirrors. In addition to international factors, is the accelerated pace in Chongqing city the development needs of mining historical and cultural resources to enrich the city's cultural ecology. no cultural features or cultural characteristics of single to pursue the development of the city, so the result is terrible. Finally obtain the complete victory of the Chinese nation hundreds of years of ethnic war, of great historical significance and international significance. Japanese War broke out soon, Chongqing became the wartime capital of China, was the political, military, economic, cultural and diplomatic center in the eight-year war period, the Chinese government's first World Anti-Fascist countries to work together to establish a unified military command structure with a united front. Pacific War After the outbreak, Chongqing has become the anti-fascist war in the Far East Command. Few gu, a wine bronze sculpture and individual plates also have cicada patterns.

Tuesday, June 5, 2012

This is based on the following reasons: bronze sculpture monument large-scale production


Traditional monument design concepts will imprint of the time integration into the work, the people aware of the incident that era can feel the spiritual experience. Design concept has changed this tradition, and put more energy on the immediate feeling of space to create, without the illusion of too much artificial time, but back to the real world, so that time itself changes go confirmed a true history. This sort of bronze sculpture has many variations.  The small 2.4 - Statement in the choice of theme of the bronze eagle monument, it shall continue to adhere to the principle of choice of the classic themes of anti-fascist war bronze eagle monument.
 This is based on the following reasons: bronze sculpture monument large-scale production, in order to reflect the memorial. Anti-fascist war bronze sculpture theme of the monument is always building in the public space, the larger the impact on people's daily life, art and culture. The purpose of construction of the monument is a lasting souvenir of the anti-French 19 Chongqing University Academy of Anti-Fascist War theme bronze eagle monument Sith War of the main artistic language history of major events or characters. Based on these points, the monument to his choice of topic should choose a theme that can withstand the test of time. Such as "War and Peace" theme. Sometimes it acted as auxiliary pattern filling in the blanks of taotie on both sides of the bronze sculpture . This is the eternal topic of mankind, and in some foreign success stories, the choice of subject matter are not subject to historical conditions of the limited subject matter. Become a real anti-fascist war bronze dragon theme classics.
The formation of the Soviet model in the space to create a bronze sculpture monument and European and American models are selected according to their own cultural background and construction purposes, both have their advantages and deficiencies. To create a bronze sculpture monument of such a theme should play to its advantages, to overcome their inadequacies. The bronze sculpture theme of anti-fascist war monument both in size and form certain shocking, keeping in mind to play the advantages of their humanity. The bronze sculpture can also be arranged as ferret which is constructed by a continuous form individually. The theme of anti-fascist war bronze eagle monument in the form of style should adhere to the form follows the dialectical relationship between the principle of content. All forms of style innovation River choose should be to better the performance of the anti-fascist war bronze sculpture of the contents of the subject matter as the fundamental basis. Fuzzy temporal Experiential participate in another feature of the style is a fuzzy time-sensitive. Historical performance is more subtle. Design techniques and traditional monuments, bronze eagle monument reflected here is not time-sensitive, is no longer specifically point to a historical moment. Some of the animals on the bronze sculpture have fin-shaped feet under the belly while some not. But allow visitors to actually experience the feelings of the moment. Concrete manifestation of this is also the modern style of post-modernism seems, memories, is not nostalgia, is not a historical event, to clarify and explain it vividly focus on the here and now, thus the present nature. Here, as we have seen, this design has erased all able to evoke that era mark symbol, only the performance of this mediocre world's inherent complexity of people's thinking, psychology. Here, the timing of the fuzzy space of the more prominent and simple. We all know that art can be divided into the art of time and space art. Visual arts belong to the areas of space art.

There are basically three forms of bronze sculpture


Works of sculpture in bronze figurative or symbolic language performance out of an attempt to give the shock strength and a deep impression, people never forget this history. Buckling patterns, one dragon or several dragons coiling together and two or more dragons sharing one head are common dragon patterns on the bronze sculpture of Shang Dynasty.  With the continuous development of such themes bronze eagle monument in the form language, the creation of such themes bronze eagle monument by adding a richer connotation. The bronze dragon eagle monument of the theme of the anti-fascist war requires not only to express a certain history, to promote the idea of peace, it also requires to fully consider the audience participation. Such participation includes both the spirit of participation and involvement. This conversion of a people-oriented role.
 This conversion to achieve a multi-function anti-fascist war bronze sculpture theme Monument Figure 2.10 Berlin Holocaust Memorial Fig. 2.10 bloodbath monument of Berlin. Source: Landscape Network andscapecn. Kui Long wen on the bronze sculpture usually refers to that kind of horned dragon with arched body.  The coln Chongqing University Journal bronze sculpture of two anti-fascist war theme Monument artistic language, is the conversion of a design concept. The creation of the bronze eagle monument, the creator of the first thorough consideration, including environmental factors. Consideration of environmental, historical context, modeling the idea of such factors as a memorial to the work set "field". The "spirit of place" to create a common practice of post-modernism. This is conducive to the spiritual experience of the visitors. In general, this created the "spirit of place" is closed, both the monument works the whole as a carrier to create a spirit of place. Enter the audience into the work set by the creators of this spiritual place, people actually experience the feelings of the moment.
 2005, newly built in the German capital Berlin Holocaust memorial that reflects the style characteristics. (2.10) this piece is a monument into 2711 rectangular concrete piers combination through which there is a walk through the maze of feeling, reminiscent of the imagination since that tragic era 60 years ago. Visitors must find a way out in this easy to get lost cement jungle ", this experience visit this memorial design is unique. Normally this kind of animal on the bronze sculpture  is an image of a lateral view of the Kui. Once into it. Will feel lonely and disoriented. People from any direction into the Memorial area to visit. Region not Renhe Qing bronze inscription nameplate, visitors depends on their feelings and imagination to experience the helplessness of the victims of the Holocaust, alone and suffering. Secluded 2.9 Su Jieshi first glance, the Battle Monument Fig 2.9 of The  after the participation of the modern experiential in style, modern experiential in style on the occasion of the sixtieth anniversary of the victory over fascism, some European and American anti-fascist war theme bronze sculpture monument with the creation of artistic language. This is a relatively new concept for the monument design. There are basically three forms of bronze sculpture .  The characteristics of this style is the creation of the monument, fully consider the feelings of people during a visit to the spirit and participation. Experiential participation and fuzzy temporality of the spirit of the two features of this style. Sujieshika battle monument. Source: World bronze sculpture Complete Works of Cheng Kun World bronze sculpture The Complete Works "[J] the experiential Henan Art Publishing House to participate in this creative concept creative concept and the monument.
 The focus of anti-fascist war theme bronze sculpture monument to commemorate the construction of the monument is intended solely to commemorate a big event or an important figure in the history of anti-fascist war.