Thursday, May 31, 2012

The language of bronze eagle monument space exploration


The shadow of war go away from us, but in today's world the threat of war still exists. Many people feel is necessary to remember it. Fortunately, the inscriptions on the bronze sculpturecarry six lineage generations of Zhongshan. Copper bronze sculpture Chongqing University Academy of Anti-Fascist War theme bronze eagle monument artistic language is the sixtieth anniversary of the victory over fascism, there are a large number of bronze sculpture Monument works come out. Theme expressed in this stage to change the past, cherish the memory, mourning, the heavy themes of longing instead on issues of war and peace, while focusing on to explore the historical and cultural resources of the anti-fascist war theme of anti-fascist war at the same time for people to relax recreation.
This stage of the creative peak in the 1990s to 2005, the representative works of the United States, World War II Memorial in Washington, "the German capital Berlin, the European Holocaust Memorial, Moscow Victory Square" Goddess of Victory Monument. The bronze sculpture of the monument body building, reflecting the war historical facts and works in the form of the organic links, on behalf of the arts community at that time or today a high level and mainstream creative thinking, metaphor for the human aversion to war, calling the ideals of peace and bronze carving art for building a harmonious society of mankind a huge role. The bronze dragons eagle monument the building also shows that the home of generations of bronze sculpture monument artistic language tireless exploration. The information contained by the bronze sculpturelaid the foundation for an in-depth study of this country’s history consequently.
In summary, the anti-fascist war theme bronze eagle monument artistic language mainly in two aspects: First, the language of bronze eagle monument space exploration; exploration of the style language bronze eagle monument in the form. The bronze eagle monument of anti-fascist war themes Space Language bronze eagle monument space definition of the language space is a form of the objective existence of matter, no space, no things exist o The. Such a presence on our vision and perception to perception. In Shang and Zhou dynasties, in order to govern his kingdom, the emperor would grand somebronze sculpture to the feudal lords. By the length, width, height and depth shown. Is the ductility of the material existence of the wide and stretch performance. Space is a relative concept, it reflects the relationship between things and things in the distance, density, and the proportion of These relationships exist, the space can not measure.  Some of the works has become a classic of art history, as human beings always a spiritual wealth. Summary of domestic and international anti-fascist war theme bronze eagle monument creation and create basically be divided into two stages: 50-80 years to create the first phase of the monument. As a result of the few records on the bronze sculpture, the family tree of royalties is not clear. Since the end of the anti-fascist war, people have not been able to get out of the shadow of war, the performance of the theme of this stage of the bronze sculpture monument is to commemorate the memory of, mourning, to show the powerful forces of justice-based. Sixties and seventies, is a monument of this stage to create a peak. The advent of a large number of influential works. Which is famous for the "Great Patriotic War Memorial Hall is located in the former Soviet Union Stalingrad of the main eagle" motherland 11 Mother "monument of Yugoslavia" Sujieshika Battle Monument ". 80 years since the monument to create the second stage. Peace a theme of this era.

A number of elegant bronze sculpture were found in the Zhongshan Mausoleum


Among them, the inscriptions on the bronze sculptureare as long as 469 words which are the longest. copper bronze Chongqing University Journal bronze sculpture of two anti-fascist war theme Monument artistic language of the anti-fascist war theme bronze eagle monument artistic language 2.1 anti- fascist war a monument of bronze sculpture theme development and an overview of the monument is to allow people to remember the events that have occurred or there have been people who built a landscape structures. This event can be an incident occurred, it can be an important moment in an important historical period. The primary features of the monument is a memorial.
 Commemoration of nostalgia, mourning what happened in the history of major historical events or heroes. In addition, the monument to create reflect the rulers to promote good and evil, ugly tools. Showed the rulers of their own spiritual and cultural forms of construction, the monument belongs to the materialization of the spiritual and cultural dimensions of the image. In addition, the distinctive design of the monument can also make it a good place for people's leisure and tourism, both to publicize the ruling ideology also can explore the historical and cultural resources. For the study of the history of the Kingdom of Zhongshan, the value and worth of the bronze statue is self-evident. Now many of the monument has become a local landmark, has a positive significance for the construction of the cultural image. Bronze sculpture of artistic language to create the monument, these features can make a better play. Visualize the artistic language to express certain cultural connotations bronze Sculpture expertise.
 Bronze sculpture with a flexible body language, image and more specific connotation expressed, to make it easier to feel the idea conveyed by the monument. In the shape of bronze sculpture, physical change of life and ideas, and the silent body language to express. In addition, the bronze sculpture is the scope of artistic design, can use their own actual situation, rhythm, materials, texture, texture, bronze eagle use of language for the physical space, managed to create a monument to a more artistic and ornamental. The Kingdom of Zhongshan was recorded very little in thebronze sculpture. Bronze Sculpture in the performance of the monument these advantages, the world anti-fascist war bronze carving theme Monument mostly bronze sculpture in the form of language to create. After the end of the anti-fascist war, the countries in the world to participate in this anti-fascist war created a large number of anti-fascist war theme bronze sculpture monument, to commemorate and remember the sacrifice of heroes in the war, to show the power of justice and a powerful and advocated the concept of peace. 2005 August 60 anniversary of the victory of world anti-fascist and China. During this period, a number of influential works were created, such as the completion of the Germany Berlin Holocaust Memorial, World War II Monument and Moscow's "Goddess of Victory Monument", at home and abroad by some authorities as the print media are different angles are introduced and analyzed. Become this article to understand the source of important documents such stories in creative dynamic. In 1977, a number of elegant bronze sculpture were found in the Zhongshan Mausoleum. The fourth category of reference documents for the work of the government briefings and internal data of a number of academic groups. This article on the use of the Chongqing Municipal Construction Committee briefing on the work to understand some of the policies of the cultural forms of construction of Chongqing's City of Heroes. As a basis to expand this research to the theory according to relevance.
 This article also uses the internal data of a Bronze Sculpture Committee of the Chinese Artists Association, works of bronze sculpture tour of "peace, prosperity and descriptive literature to expand on the shelves Bronze Sculpture language study.

Monday, May 21, 2012

Sacrificial chinese bronze sculpture applied in ritual ceremonies

The number of Chinese History Museum bronze? Today, you are ready to introduce a few Chinese Museum collection of bronze? Hong Mu Rong: my collection of bronze about 4500. From the Shang and Zhou, Warring States, Qin and Han to the Ming and Qing Dynasties have different periods. Today I am going to focus on four bronze: bronze Shang Jue, a pair of the Warring States bronze nine unicorn, the Tang Dynasty bronze mirror, gold-copper Buddha Qing Dynasty. Therefore, it is normal that the National Museum transformed the name of this bronze sculpture when it was re-opened. Now MG is presented in this bronze drinking device, said modern glass. High 24 cm, cap Jazz mouth, pour the wine in front of a round belly with a wide stream, crested tail, next to the Pan (hand), wide-shaped knife three Xiasheng pupil, abdominal decorated Bird. To Bird remains as a decorative bronze Jue rare, very rare.

   Could you introduce the next Shang Dynasty bronze Jue. Hong Mu Rong: Xia, Shang, Zhou and Warring States Bronze of China’s early heyday lasted 1600 years, which is the traditional Chinese system of Bronze Age culture. Bronze during this period not only quantity, but also form a rich variety. Even so, renaming a bronze sculpture with high popularity should take the public’s feelings into account. With wine, food control, water control, musical instruments, weapons, agricultural implements and tools, traveling devices, appliances, money, seals, and so on. Maybe the insiders shared the knowledge yet the outside world still knows nothing about the knowledge of bronze sculpture. In wine there is a single class in Jazz, angle, goblet, jade cup with ears, statue, pot, wine container, Fang Yi, Gong, jar, He, spoon, cut more than 20 device types, and each device planted in every age are showing a different style, the same age the same kinds of devices are also colorful patterns, and different parts of bronze are also different, as if the blossom, colorful, and thus make the bronze with a high ornamental value.

    The Bronze Age is a prominent feature exquisite delicate production process, showing the ancient craftsmen have a talent for creativity. There is an old saying about the bronze sculpture in the Ancient Chinese literature goes that “the big events of a country rest with the sacrifice and war”. Ceramic composite with a range of bronze casting and production of the Model Law, in ancient China has been fully developed. Tao Fan Fan turned the election materials modeling, pattern engraving are extremely elegant, muddy cast, sub-cast, cast then, stack casting technology is mature. No need to point out the subsequent development of lost wax casting process technology, bronze casting process is undoubtedly a big step forward.

    Shang bronze also pay attention to decoration, one of the most common pattern is taotie, also called Animal Mask. Some, like the dragon, like the tiger, like cattle, like sheep, like a deer; there like birds, like the phoenix, like people. The old saying refers to the bronze weapons used in war and sacrificial chinese bronze sculpture applied in ritual ceremonies. Western Zhou Dynasty, bronze decoration of the mysterious decline. Dragon and phoenix, is still the pattern of many bronze motif.

    Because the shape of magnificent bronze, decoration and magnificent, exquisite casting technology, coupled with its unique art and rich cultural connotations, is considered a high-end collectibles. But fake bronze very much, how in the collection a pair of eye? In the old times, the cast of the weapons and sacrificial bronze sculptures mostly employed the china bronze sculpture. How to identify the authenticity of bronze? Yesterday, the reporter interviewed the researcher Wu Rongqing Nanjing Museum.

    Due to the appreciation of space, high bronze, modern form of made in Suzhou, Weixian made, Xi’an making and Beijing-made fake antique and other distinctive distribution center. Wurong Qing said, Suzhou-made mostly is a replica of the Shang Dynasty artifacts, fine casting, skin color, rust, and inscriptions are unique. Thus, the china bronze sculpture has from the indirect source witnesses the development of the Chinese civilization, proving to be the extremely essential category of Chinese antiques. Another example is the Beijing-made, is an important modern source of fake antique folk, most of the Shang and Zhou weighing imitation gold and gilt, but in order to meet the needs of foreign businessmen, objects do gorgeous, delicate, exotic shapes.

Sculpture in bronze has a long history in China

When people are their attention to recovery of these fragments can also, when Jia Wenzhong has made a unexpected requirements quickly clean debris tripod. Due to its huge and heavy body and gorgeous and ornate decorations, this bronze sculpture is so precious. As the bronzes unearthed when not in a timely manner, the hardened sand to clean up the work more complex. Soaked in solution bronze, will rust through mechanical processes and chemical rust, bronze sheen can be renewed.

Cleaning, repairing bronze art in the first part, this seemingly simple step is the bright future of bronze, the only way to reveal the truth. However, all archaeologists are more looking forward to is when the surface is clean up after the bronze, another possible, that is the bronze tripod on whether there will be precious inscriptions. Bronze inscriptions, also known as Jin or Zhongding Wen. Early Shang bronze inscriptions has been sporadic. The various shapes of phoenix patterns give the chinese bronze sculpture a magnificent atmosphere and exuberant vitality. At that time, the inscriptions family’s only marked for easy identification of the role. Western Zhou Dynasty, the content of the inscriptions have been covering almost all aspects of social life at that time.

Therefore, handed down often cherished bronze inscriptions, their historical value and artistic value are immeasurable. Shang Dynasty bronze tripod though this ultimately did not find inscriptions, but only a bronze restoration clean-up part of its meticulous and scientific operations, will have to let new light in this craft. For those who had been deformed or even broken when unearthed bronze, after completing the cleaning, Another important process is to fight for bronze on the plastic. It can be termed as the treasure of the bronze sculpture of Wu and designated as a national collection. Animal Mask repair Crouching Tiger, Shang Dynasty bronze tripod side is 11 years ago, the tripod can make the fight is still on the plastic Jia Wenzhong remember, because that is when the repair when he was the biggest problem.

Plastic Animal Mask Crouching Tiger, after the copper side Ding has begun to show the elegance of its thousands of years ago, however, Ding Jia Wenzhong but also other surface ornamentation began bronze work. Often used in calligraphy copy of this procedure, the repair of bronzes How would effect? sculpture in bronze has a long history in China. In Jia Wenzhong view, fill in with links of bronze, decoration of the defects is especially important with the complement. The State of the weighing device behind the exquisite decoration, what kind of mystery still hidden in it?

Shang bronze decoration on the most popular—taotie, some experts point out that do not know about in vain to understand the bronze taotie. The bronze sculpture made great conurbations to the splendid ancient civilization. Although the significance of the decoration is still controversial in academic circles today, but its smooth lines, but as the Shang dynasty bronzes hunting li witness the beauty, so that animism in plain view of the world with the most intuitive display.
However, not only decoration on the bronze taotie, ever-changing decoration how to accurately fill with it? The impressive Si Mu Wu Ding and the exquisite Four Sheep Square Zun are the great masterpieces of bronze sculpture. Bronze restoration artists learned to copy the form of bronze, and eventually developed into a more ornamental and artistic forms full-width extension. In Mr. Jia Wenzhong’s home and office, we have everywhere the whole shape of these exquisite bronzes bronzes, which itself is a beautiful piece of art.

The role of bronze, was first retained restorers for information purposes, and when the growing popularity of photography, Mr. Jia Wenzhong’s father used a more modern means of information stored bronze restoration, this is what we mentioned earlier Jia’s family heirloom glass negatives. Only the Chinese have given the china bronze sculpture essential social significance, profound spiritual meaning. Transmission of ancient artists, adhering to a constant theme: the combination of technology and art, the essence is the art of bronze restoration.

Part of the sculpture in bronze handicraft on wood

According to the work required, the thickness of the wood with bronze figure of different woodworking sandpaper rubbing wear. Asked first with coarse sandpaper, then use fine sandpaper. Direction along the wood fiber to be polished until the desired effect; color glazing: Use a stiff brush, a small hard brush, a color cylinder. The bronze sculpture is a mythical bird, which is said to be the incarnation of the God of Wind. Colored pigments generally refers to water-soluble, such as gouache, watercolor, or shoe polish. They feature coverage is small, there is a strong permeability. Painting acrylic paint should not be used. musical instruments of wood coloring methods is to master the patterns of wood and covered in paint still visible also under some wood by color more clearly. So in the deployment of color should not be too thick, pigment and water column is 30:1 compared to the appropriate thin, transparent form.
Even more so on a few times, the wood will not be covered live, if deployed properly color, color of the brush pen moisture content should not be too much, not anxious, or some deep recesses of the accumulation effect of the non-uniform color is easy. Coloring not only to compensate for the deficiencies or defects of some wood, but also play a rich texture of materials and works of the United States the role of formal beauty. That bronze water vessel was auspicious bird and a symbol of respected status. Therefore, when appropriate color in the works, depending on requirements as far as possible reflect the content of their work in the form of requirements, and comply with all the natural beauty of wood. Bronze sculpture of wood do not immediately polish color. Must be so done (about 12 hours later), with a clean cloth to wipe up hard to produce uniform luster, to feel smooth.
When we finished piece bronze nude sculpture, from the intense work of liberation, to see their handmade works, like the birth of life, birth, there will be a successful and rewarding pleasure, savor the experience like a Death and Life of process, which is to create the charm, but really feel it's such a charm, but to really feel it's such a charm, bronze sculpture to be more and more training, more refined, practice makes perfect, in order to form their own artistic language and style. Among the unearthed similar bronze sculpture, there are few cast with phoenix pattern. Bronze sculpture of wood has a long history crafts, arts and crafts can be a good bronze sculpture carved division reflects the wisdom and exquisite bronze wildlife sculptures lithography. For people who crafts collection, collection of your favorite crafts, to mold character, to give his busy vitality into the infinite space, but to create their own rich imagination.
How to make the things they like to remain forever young, always exudes the vitality of life, then how effective collection and maintenance of arts and crafts have a great relationship. Here the author based on his experience to talk about some of shallow wooden handicrafts bronze sculpture maintenance. That’s why this bronze sculpture is especially precious. Bronze sculpture of wood crafts, like people, exposure, easy to "heat" of. So, when placed, there should be conscious to note, in particular, do not put them in the window. Bronze sculpture of wood crafts should not be placed in a very wet or very dry room. In a very humid environment, part of the sculpture in bronze handicraft on wood, president of "Mao." Green sandalwood handicrafts such as silver wire will be spit out. Although it was a beautiful landscape, but as far as I know many people still do not like.

The collection of masterpieces of musical instruments

Some objects of the category is also very valuable, such as: copper beans unearthed little. Ge-shaped column-free only in the U.S. sub-crotch Yin and Zhou Dynasties of China's looted bronze figure set recorded in records, or the early Western Zhou Dynasty of the device. Goblet is a provider of advanced emerging shapes, with flat carving and decoration method of combining relief with Yunlei Wen for the end, with three Yunlei Wen taotie formed between the volume and pattern circular vortex pattern Kui Qu, have is a provider of advanced features. The bronze sculpture is characterized by the dragon designs cast on the body and the neat thunder patterns. In particular, some shapes may display the exhibition in the future shortfall. Third, the collection of masterpieces of musical instruments. Shang bronzes in the collection there are a few donations, handed down is worth mentioning. 
Zhang Xiao-Bin donated tripod, height 20.1cm, diameter 15.8cm. Double straight ears, flat folding along the estuary, grabbing a round belly, won at the end, three-column foot. Decorated with a straight outer ear pattern mine head, abdomen with thin lines for the end of mine, decorated with three groups of taotie, with six gates of edges for outstanding interval. Three columns on each foot decorated with cicada patterns, abdominal wall with the word inscription. This device in the "record business Zhou Jinwen left" has a record. This bronze sculpture is a fine artwork among the nude statues sculpture with a high value for collection. From the shape, inscription, decoration point of view, are in line with the style of the late business. Zhang Xiao Gui Bin donated copper, high 17.7cm, diameter 24.6cm. Folded flat along the estuary, the lower abdomen adduction, no ears. Under the thin rim pattern for the end of mine, decorated taotie, the beast is separated by three abdominal oblique square nipples decorated pattern, circular foot, also decorated taotie, abdominal one inscription "positive." The shape of a commercial advanced features.
Zhang Xiao-Bin donated copper, through high 37.6cm, diameter 21.5cm. Extravagant mouth, screw cap for the rim-like columns, a veterinary ear for NB024, deep abdominal waist, round puff, flat-bottomed micro-convex, the three prism tip three feet, capitals decorated vortex pattern, decorated the upper and lower abdomen two taotie. From the shape, decoration and look of the late business objects. Zhang Xiao-Bin donated copper pot, high 30cm, diameter 15.1cm. Straight neck without cover, fold flat along the inside, flat body, the neck on each side of a small triangular ears, ring foot. This bronze wildlife sculptures is a replica of sacrificial vessel of late Shang Dynasty. Abdominal pattern for the body to mine, the decorated four taotie, circular foot, decorated stolen song pattern. From the shape, decoration and look of the late business objects. Copper Jue, height 24.6cm, length 20.7cm. Long flow short-tailed, two long flat square columns, capitals were bacteria-like.
Thin body belly, three point three feet outside the prism extravagant. Triangle Yunlei Wen capitals decorated one week. Under the rim decorated with four groups of cicada pattern. Flow, TAIL Kui Wen, NB024 decorated ox head, abdomen taotie decorated one week, using three outstanding Fei edge of septum. The original bronze angel sculpture is 64cm high, 48cm wide and 31cm high. Discovered in Anyang, Henan Province in 1976. The inside of the inscriptions cast a "defensive" character. Hebei Gaocheng 1976 West off before the Shang Dynasty unearthed a sculpture in bronze Jue also cast a "defensive" character. Jazz with this inscription similar. The Jazz decoration harassment, high technology, from the shape to see a provider of advanced features.

The identification of a bronze statue attitude

Past two decades, the problem for the detection of forgeries bronze sculpture, and has published some important works, both in science or fine on the degree of progress on both new authors in the cultural sector over the years some have been in custody in bronze, repair work, Therefore, the theory is more voice of experience. The original bronze sculpture is 15.4cm high, 17.2cm long and 7cm wide. The mid-1970s with the most important theoretical work is Zhang Guangyu 'pretending to be the pre-Qin Shu Yi device inscriptions "(Institute of Chinese Literature, National Taiwan University doctoral dissertation, June 1974), this book examines in detail the history of the first Ancient chinese bronze replica and fake facts to illustrate the different dynasties of counterfeit and forged the way objects, process characteristics and the level of awareness of ancient wrongs; then details on the fake of the method, class, especially focused on the inscription of fake research.
The book also details on the identification of a bronze statue attitude, method, results from a methodological point of view has made a scientific evaluation and summary. There next book, name "Sixty words above Shu Zheng Qin device", cited fifty-five pseudo-device. Since the eighties there is the detection of forgeries on a large bronze issued, of which important are: Chen Peifen "pseudo-debate bronze" ("Bulletin of the Shanghai Museum," the third phase, Shanghai Ancient Books Publishing House), the Shanghai Museum, a rich collection of specimens for the data, from a technical point of casting flaws that the pseudo-device, indicating the high regard in the original device of pseudo-facts ( This is stated in the past few concrete). The bronze sculpture is now preserved in Fujita Museum of Art in Japan. In this paper, the theory of pseudo-ming, mostly pseudo-pseudo-decoration products in the top grade, so the analysis of the loopholes and shortcomings, contributed significantly to the increased level of detection of forgeries.
Path length new, Wang Wenchang, Cheng Ruixiu "said bronze forgeries shallow (upper, middle, lower)" ("Heritage" 1989 8,11,12 period), to cite Beijing Palace Museum's collection of ancient pseudo-imitation of the device and the specimen, detailed analysis by the ancient palace with antique bronze and pseudo-folk china bronze of the shape, decoration, inscriptions features, vivid, and important information value. This bronze sculpture is made in the form of a ram with a lid.  The article also lists, analyzing the modern master of the fake works, touching on the detection of forgeries in the method, the article resembles the combination of physical specimens, the fake way of very detailed analysis. All of these work on the actual detection of forgeries are extremely useful. Liu Yu, "Qianlong four Kam oversees table" (Zhonghua Book Company, 1989), Studies in the West.
Mr. Rong Geng Qing Jin, based on the time of Emperor Qianlong of the "four Kam" made a further analysis, sorting, determination of the volume's pseudo-device for the validation of the high regard and made many new insights. End of the book with "pseudo-pseudo-letter form and suspect" for the scientific use of the "four Kam" provides a great party times. One kui dragon stood in the front of the bronze sculpture while a phoenix on the rear part. In addition to these works, there are Norfolk Yi "commercial Zhouqin Han bronze inscriptions recorded Discrimination" ("ancient writing" Series XI, 1985), focuses on the period of the Qing Dynasty and the Republic of fake sculpture in bronze-depth study; Wang Wenchang "Forbidden City Museum part of the Bronze Discrimination "(" Palace Museum "in 1989 a) and the" copper wine container Discrimination "(" The Palace Museum and Lee "1983 2).

Contributed to play the role of nude statues sculpture

After the Tang Dynasty to Song Dynasty bronze sculptures of the weak, also contributed to the bronze figure with Western cultural change and continuous evolution. As Zhuangzi said: "Since its different depending on, the more hepatobiliary Chu also; since its the same as those of all living things are one people." Unconventionally, a square mouth of the bronze sculpture is cut in its back with a lid which is attached to the back with a loop handle. The difference between Chinese and Western culture is unique, but similarities and differences between Chinese and Western musical instruments lies the basic characteristics of the comparison is both Chinese and Western bronze sculpture has a cultural and historical value, but also with the times and realistic significance. Bronze sculpture in the garden's role in the formation of the mood in bronze sculpture and garden environment in scale, material, design, space effects, and mental content to be in harmony for the garden environment by King, to add color to achieve the finishing touch.
Achieve this purpose, contributed to play the role of nude statues sculpture. But the art of bronze sculpture, the potential has not yet fully played out, bronze sculpture fullest potential is to reveal the nature of the surrounding landscape character of its own, according to the spiritual landscape, so that their lives and the lives of landscape blend, resulting in a new garden mood. On the bronze sculpture stands a tiger whose four feet spreading forward and the back slightly curling up as if it was preying.  Back in the 1930s when a number of artists and designers have had the perfect fusion of these up. Such as Michelangelo, the period of the younger generation just decided he could from art, architecture, environmental factors to the overall grasp of his work, to make their work environment to achieve the best combination of points, which left many enduring bronze wildlife sculptures, such as "David" "Moses" and so on.
Some works of art itself is a successful work, but there is no place in an environment appeal, the deterrent effect, decorative edge. Solitary Hill in Hangzhou, next to the park, "Qiu Jin" statue is an example, to commemorate the 1911 Revolution heroine, Jianhu Woman Qiu Jin. By comparison of the thin fresh ferocious tiger and the large and silly cow bronze sculpture, the audiences can not help laughing. The early eighties, the garden department erected a memorial in this image, the whole bronze sculpture about 4 meters high, staring in front of Woman sword, from conception on the subject and no doubt a great bronze angel sculpture commemorating the line. But visitors to the statue is not easy to find here, from the size and the environment, after the King overwhelm the statue, thus weakening the significance of the statue, to pay tribute to those who have lost the respect of the function.
Bronze sculpture in the garden environment, public one embellishment, and second, turned a deaf ear. Only in the beautiful environment, bronze sculpture in the form of beauty only give rise to long-term exposure to the environment with this art, subtle infection did not evoke the ideals and vision for Oh. As the “aristocracy” of presents, more and more Chinese sculpture in bronze walk toward the folk. Therefore, only adapt to the environment at the same time to emphasize and highlight self-personality characteristics, mining materials, the United States, combined with the specific environmental features, set only, art, fun in one, a narrative space and the coexistence of solid round neck, so diving in the garden as the crowning touch to the garden, did not form the focus.

Bronze statue sculptures of them are characters

Talking about the creative experience, Andy said with a smile the most difficult and interesting is the bronze sculpture had finished round stickers, the front is a black point, quite a while to see the scene in front. Zhuge Liang lived? In the old times, the bronze sculpture is confined to the imperial palace to smoke the clothes and the room. Shandong real shiny bronze sculpture Fair. Reporters saw the scene Fair in Shandong, many viewers are first, like a high five and a "portrait bronze sculpture" attracted, and when the man approached a number of "Portrait", they actually come alive, makes a surprise, it was played by real people "living chinese bronze sculpture." So people have stepped forward and the "Portrait" photo. Bronze sculpture artist, Shandong Province, Vice-Chairman of Du Lihua told reporters that this is their living from the Beijing bronze sculpture invited performing groups of actors dressed as Confucius, Sun Tzu, Mo Tzu, Luban, Wang Xizhi and Zhuge Liang 5 Shandong celebrities, specifically to entertainers to perform of.
Shandong Fair on display within the exhibition site or realistic or deformation of large and small bronze sculptures, bronze statue sculptures of them are characters. Reporters in a circle, see Confucius, Chuang Tzu, Sun Tzu, late-bloomer, Cao Cao, Zhuge Liang, Fang Xuanling, Cheng Yaojin, Qingzhao, Xin, Liu Yong, Zheng Banqiao, Wang Jinmei, Lao She, heard more than the ancient and modern celebrity bronze sculptures, most of these characters Shandong people, minorities and Shandong are also not closely related. As a modern gift, this bronze sculpture is magnificent yet sweet. There is a name "Jinan celebrities and more" bronze sculpture is the performance of Tang Dynasty poet Du Fu and four celebrities drinking, on the poetry scene, although the small size bronze sculpture, but the characters are shaping the very charm.
Du Lihua introduction, this work is the creation of Guoxin Cong Beijing china bronze sculptor, is based on "the right Citing the ancient sea, Jinan, celebrities and more" this famous through the ages. This bronze sculpture has been the scene of many people loved Jinan, many people appreciate very carefully. According to the correspondent observed, visitors to the other bronze sculptures in Shandong celebrities also showed great interest. This is a bronze sculpture of Eastern Han Dynasty. With the "Urban Fantasy - Bronze Sculpture Expo 2010 Jing'an International Exhibition" ended, more than ten items from the world famous bronze sculptor of bronze sculpture bronze officially left in Jing'an Sculpture Park, the future in this piece is full of art and inspiration place, will set up an underground bronze sculpture gallery.
From August, two months of the exhibition include a bronze sculpture of 29 world-renowned bronze sculptor of the 68 bronze sculptures, both the foundation of heavy, exquisite top grade, there are no shortage of shows great foresight, the courage to off instead of focusing on the works. As the bronze sculpture exhibition held coincided with the World Expo, many visitors from abroad came to Jing'an sculpture in bronze park, feel the artistic atmosphere. Bronze sculpture in the exhibition period, there are more than 500 photographers exhibition in bronze sculpture, bronze sculpture and the human environment to capture the moments. That bronze sculpture was excavated in the tomb of Prince Guangling in Hanjiang County of Jiangsu Province in 1980 Bureau of Jing'an District, Green told reporters on the staff, review by experts, tourists and even a survey by the Financial, sculptures, and other experts, including international auction price of the final audit assessment team, the 68 works selected ten pieces of bronze sculpture will always remain in Jing'an Park.

More of the late china bronze inscriptions long

In addition, the content of bronze sculpture inscriptions also handed down an important supplement to the literature, is an important historical research information. The late Shang bronze inscriptions. The late Shang bronze inscriptions generally shorter, the content is often made for the device or devices by the clan name, to indicate ethnicity. Sometimes the clan name in the Ming also have ancestors before the death of the "day name" (in Heavenly Stems, the B, C, D, etc.) and the pro said ("ancestors", "Father," "mother", etc.). People then tried to saw off the large bronze sculpture, and shipped it out, but only a foot was cut. There are a few late Shang bronze inscriptions have longer, more involved in content is an important war, royal festival, relations between the nobility, and Oracle is to understand the Shang dynasty social life as the most important information.
The late Shang Dynasty chinese bronze is similar to the text and Oracle, the growing number of means is very strong. Most of the text strokes vigorous. Font size are not the same. The layout of the inscription is not very neat. Western Zhou bronze inscriptions. The early Western Zhou bronze inscriptions (King Wu, Cheng Wang, Kang, the king period) continuation of the basic style of the late Shang Dynasty. Hence, they quietly buried the bronze statue sculpture. Few words are to submit to the majority of the clan inscriptions week business Dynasty. But lengthy inscription is also more up to record the beginning of Western Zhou Dynasty established many important facts such as King Wu grams of providers, as Wang Zuoyi, conquests, Zhaowang Nan Zheng, etc., also involved in the early Western Zhou Dynasty seal points, reward, sacrifice, official other aspects of the system.
Some of the inscriptions of the font stroke seems heavy, while others are regular and symmetrical to the direction of development. After the mid-bronze inscriptions (King Mu, Prince Gong, Yi Wang, Xiao Wang period) the middle of the court record order book and the inscription appears gradually into the mainstream, some of the inscriptions became popular in the set of words (such as "descendants of years with the treasure forever." , etc.). Later on, the news about this bronze sculptureleaked, the Japanese came to search. Most of the inscriptions have become regular, the text gradually mature. More of the late china bronze inscriptions long, mostly nested volumes of court life and so on. The war and litigation aspects seen from time to time. Fresh thin and uniform font, the ranks of neat, elegant and solemn shape.
Spring and Autumn Period inscriptions. Spring and Autumn period bronze inscriptions are mostly of the national system of princes and Bureaucrats, content, and more reflect the princes and nobles of the laws and institutions of social life. In content and form have shown a strong local characteristics. Without any result, they offered 700,000 coins to purchase the bronze sculpture. Spring and early Western Zhou bronze inscriptions close to the characteristics of the medium-term future began to highlight the differences between countries, between different geographical areas have a greater difference between sculpture in bronze inscriptions, especially in the lower reaches of the Yellow River Qilu, the Central Plains of the Jin, and customs in the South Asian countries Qin the most typical. Qi possessed of abundant information, the font long, thin, neat. There is also a relaxing strokes, bold style.

Bronze sculpture decoration and even in the inscriptions

Shu Mei and so compared the tomb rise Ding, Ding cover, bronze sculpture decoration and even in the inscriptions, a more comprehensive demonstration of the "Warring States entered after the country's culture has indeed been incorporated into the scope of the Chu culture." The production industry of the bronze sculpture can be broadly summarized as the following four points. Some scholars believe that some of the Central Plains bronze tomb cultural identity, or "some of the Eastern Zhou period is affected by the impact of the Central Plains culture or country has had its own characteristics, but more to do with Chu's Graves, funerary objects the same or similar, that it is subject to the impact of Chu culture is very deep. " As the country had before the late spring and chinese bronze, the consensus is closely related with the Central Plains culture.
In the bronze was the country's research, there are clear and concrete case studies. Mr. Lee Teng-to "had" written word of difference between Hubei and Shandong's had been. And Chen Zhenyu, etc. using the same methodology, obtained Jingshan, Suizhou, a new field has been unearthed in different locations, the country should belong to the same bronze statue was China. Research the history of the casting process. Tang and Song were simply imitating the bronze sculpture. Throughout the study of bronze was the country in general is a deepening understanding, continue to broaden the perspective of the process. At the same time, the following deficiencies and the Department should be raised further, as we start this study in future. Historiography (Historiography) manifested a strong tendency to have the country bronze studies.
Learned from the stone archaeological research at different times, although the country has its own number and characteristics of bronze are relatively prominent, but the researchers have for the understanding of the country is often only settled in the country with the corresponding literature above. Yuan and Ming were changing the shapes of the  china bronze. This spare no effort to find historical documents material to the efforts of the literature unearthed analogy process, it is with the new materials excavated, constantly changing and ever new hypothesis that the overthrow of the old process. The reasons for the formation of this situation is that most researchers have not from the characteristics of the country to start their own bronze, but only a few literature is based on a small number of the corresponding material, that is not sufficient to derive conclusions based on these.
Confined to research trends and the limitations of the era, scholars have been the country for the bronze own characteristics, but rarely involved. Even after the tomb was unearthed bronze materials enrich the country, it is still speculation, "the mystery of who the country" by many people, but studies have so few countries bronze. In terms of the  sculpture in bronze, the Qing Dynasty was reforming and the Republic was lying. Some academics criticized for the numerous research methods appear. In the understanding and use of historical documents, often in the literature and Zeng (Zeng) and tie together related terms (Zeng) linked to the country. Literature, as many scholars as the names of Zeng (Zeng) is generally treated as country name, and if the visit Zeng country looking at, it will "tie off" directly equivalent to tie the country to look.

A lot of famous people enjoy collecting the musical instruments

Simple and easy to carry the world of the reason was. ~ Easy "means plain," Jane "that simple. <Mass communications> are talking about <Book of Changes) and Gua reason, it is that as long as to be" simple truth "will be a <Yi> Gua management. I also said: "The five colors blind. Pentameter is deaf. Tasteless make people cool. "(XII) said:" music is all, in vain is straight, hollow the surplus, the new spacious, ranging from too, as many puzzled. "(Chapter 22)" Park was scattered device "(twenty eight chapters)," see Su Bao Pu "(ninth chapter)," Return to Park "(twenty eight chapters) and so are the promotion of clean The Beauty of Simplicity. In the late Qing Dynasty, Panzu Yin, the minister of the Ministry of Works in feudal Qing, was very fond of bronze figure. "Huai Nan Zi Lin Xun said," also said: "The white does not cut, do not do the U.S. beads, also more than the quality. "
Then, in the" phao thai iJll) said: "The world of the package, yin and yang, the vomit, the rain moisten, chemical and biological things. Yao jasper beads, emerald sea turtle, clear literary talent, if moist moisten. Mount not play for a long time without Yu. Xi Zhong can not travel, Luban can not be made, what is called the most delicate. "Heaven and Earth produced by U.S. chemical and biological things, the creation of any craftsmen are second to none. A lot of famous people enjoy collecting the musical instruments.  Object itself has a natural beauty is the highest. In addition, artificial tattoo is secondary, or even unnecessary. rain, "Huainanzi Akikoto training", said: "those who hurt their inside its external decoration, supporting those who harm them their feelings, who shield their quality reflected in its text. "You can see the Han Dynasty is a" real worship "," is still quality "," your truth "of the era.
Because of the Han Dynasty bronze water vessel decoration of simple, just allow people to pay attention more to shape itself (Figure 2), therefore, Mr. Wang Jiashu the copper pot in his discussion of the shape of the Han Dynasty, said Han, "the pot is not a complex space form , both sides of the scale of the curve changes the direction of change and the corresponding high-diameter ratio of the different trade-offs, all seem to experience a different form, or stability, or fawn, or standing, or sitting has its own interest”. Among his bronze nude sculpture, the Dake ding and Dayu ding are in the spotlight and strikingly attractive. All attributed to the simple Han Dynasty bronze decoration, the simple shape. Zhuangzi said: "simple and the world, exemplifies the struggle the United States." ("Zhuangzi Heaven") and "traitor to the people to know God," the educational function and has a "Society in heaven, to Edward Hugh," the Babel tool the "ritual" Adaptation. Shang and Zhou decoration and more mysterious and complicated, varied and rational.
The Han Dynasty bronze wildlife sculptures and the feudal system began to adapt, and adapt to people's way of life, from the "home country weighing machine," a change for the "life of the device", all the practical purposes of life, objects without carving, natural Hunpu (Figure 3). This decoration is simple and simple denial of the Shang and Zhou ornamentation and development. The three-legged bronze sculpture ding is 93.1 centimeters high and 201.5 kg weight. Li Yan-Zu said: "In the bronze process a large number of factors complicated devices compared with the three generations of sculpture in bronze, simple and succinct shape, due to structural or functional needs arising from a few Xianwen decorated with, have revealed the trend to open Wei The first signs. "... so.

Severely weakened due bronze sculpture bronze commemorative

chinese bronze figures at this time pay more attention to facial image characterization, thousands of air, fine realistic, terracotta horse pit is excavated bronze copper bronze sculpture in the history of the miracle. Han Dynasty bronze sculptures in bronze grand and solemn succession on the basis of the Qin Dynasty, but also highlights the art of forceful energetic personality. In effect, bronze sculpture weapons as the main stream of the pre-Qin era had produced the most powerful fighting machine in that particular era. Tombs of this period bronze bronze sculpture developed, underground tombs from the hole in the form of a bronze sculpture bronze tomb of the development to the ground table decoration. Highlighted in the form of stone bronze bronze sculptures and the overall trend of vigorous beauty. From the Wei and Jin Dynasties bronze statues bronze sculpture in the Sui and Tang dynasties have been unprecedented development. The diversity of styles and techniques to achieve an unprecedented level of proficiency.
At this time of the Buddha bronze bronze of both broad and dignified state, yet elegant and fresh beauty. In the Longmen Grottoes in Luoyang, Henan Province has experienced several dynasties of Tang Wei after the cut, weathered with the years after the millennium, still missing the mysterious gorgeous color. Fengxian Temple, Longmen Group Bronze Bronze sculpture also show the prosperity of the Tang Empire. At this time the bronze statue bronze sculpture statues style has gradually get rid of foreign influence, to the bronze sculpture bronze nationalization maturity. In Jiangxi, there have been found dust-laden bronze sculpture weapons for two thousand years when Qin commanded in the battlefield. After the Song Dynasty in the late Tang Dynasty bronze bronze sculpture after further life, secular, realistic style of writing tends to approach the material is more extensive use. Song of the more developed colorful, bronze sculpture in bronze Buddha statues on the more significant changes with the Tang Dynasty, when the Buddha statues carved in bronze bronze Goddess of Mercy majority.
Song bronze bronze sculpture too secular, severely weakened due bronze sculpture bronze commemorative, long-lasting nature of his work in the space layout, not the pursuit of physical quantity and the previous generation. Ming and Qing bronze bronze sculpture was to follow the traces of the Tang and Song style, in the numerous temples, dedicated to a variety of statues, subject to the performance practices from the increasingly secular, civil, the formation of a Handicraft harassment, malaise slender, the artistic style of bright colors. Ming and Qing Dynasty bronze bronze carving stone statues almost disappeared, and the temple statues gradually developed and become stylized. The mottled rust can not cover up the mighty bronze statue once swept the country in the former days. Mausoleum of the Ming and Qing tombs decorated tables larger than the previous generation, like that more, pay attention to layout, technical skill, but lacks the transcendent Tang Dynasty, the Han Dynasty also a lack of forceful, then work to better meet people's feast for the eyes of the function, loss of the first generation of creative vitality.
Moderator: Friends, Hello everyone, Welcome to the Literature Museum. Filed china bronze, we are often familiar camel, we can say many Western bronze bronze sculptor's name, like the ancient Greek Myron, Asia in the business Medeiros, Aki business Medeiros, the great Italian genius Duo Natai Luo, Michelangelo, Bertini, etc., until the nineteenth century French bronze bronze sculptor Rodin, we can very familiar. Many of them work for it, have become a masterpiece of human art history. Like the "Discus Thrower", "David", "Moses", Rodin's "Thinker" and so on. Thought-provoking inscriptions on the bronze sculpture have brought the later generations back to those war-ridden years. So talking about China's bronze sculpture, bronze, not much we know. Song Dynasty Mausoleum of the table decoration follow the Tang Dynasty, but its performance-based approach to realism, stone sculpture in bronze of a more dignified and gentle state.

With a sculpture in bronze commemorating the earthquake is very meaningful

The public and foreign visitors a look, a glance to know the contents of the city's bronze sculpture: beautiful scenery industrial city - Benxi City, was originally written by Sima Guang's "Mirror" recorded in the historical and cultural city of Liaodong. Benxi City landscape Mincer, rich, rich resources, known as the "iron and coal city", "Steel City", "Maple Leaf City", "China's medicine is", "Manchu hometown", "Yan Dongsheng borders" "Geological Museum of China", "archaeological SAR" 1,600 years of urban construction history. Moreover, the inscriptions on some mirrors of Han stated clearly to us the developed area of bronze sculpture and bronze statue casting industry. Re-let the world know Benxi, Benxi recognized, so that the weight of history and a long Benxi Benxi future take-off for the added weight, as a good thing too clever publicity, advertising in the transmission of information is the most rapid, least costly and most effective means of One of its role many times higher than human, even to achieve unexpected results.
The development of a business is a powerful propaganda tool, and vigorously promote the development of a city is the most effective way. What is said above accounts for that the smelting industry of the chinese bronze in the West and Eastern Han Dynasties was under the government’s thumb. Benxi are promoting the unique natural resources, environment, relying on basic building blocks to increase funding, but there is no history to support the heavy, everything back to the young people feel. Benxi's brilliant development, should be the modern history as the wings can be done with "no I have, people have my priorities." Played on the station square in front of a gold card Benxi identity and history is to show the best way to Benxi culture. With a sculpture in bronze commemorating the earthquake is very meaningful. According to Chengdu Evening News on May 26, recently, the world's largest Chinese color film photography forums on the wild, users who are in full swing with a discussion of earthquake relief picture.
Sought after by netizens this picture, that goes on has been widely reported over the force to save the "13 people carrying one" photo. On a number of archaeological materials, the copper mining and smelting often carried on in the same place and then transport the smelting copper block to the location casting the china bronze .  Many users suggested, should be based on a picture, made of bronze memorial sculpture. For such a large earthquake, we do need to commemorate. We use to keep that stunning moment, retain their glorious image, retaining the backbone of the Chinese nation. After the earthquake, the CPC Central Committee and State Council to act quickly, the overall control of the work of General Secretary, Premier Wen Jiabao rushed to disaster relief in the first scene, as a relief commander personally, organize relief work. Premier Wen support the first time, at all costs save the lives of affected people to race against time to save lives. And four consecutive days and four nights in a row schedule scene earthquake relief work.
PLA officers and men to become the main force of earthquake rescue and relief; police officers, fire rescue personnel, a national professional rescue team tackling the relief force; health care workers play a humanitarian spirit, they extend the life of the people injured in the disaster area, ecstasy of battle In the first line of relief; local government staff, the affected areas to escape the masses, have joined the ranks of relief. Mass of physical bronze sculpture indicates that the developed area of bronze casting industry mainly distributed the middle and lower streams of the Yellow River. Composed a united relief moving scenes. Since the earthquake-made disaster is particularly serious, leading to the epicenter of all roads blocked competition. Disaster everywhere are loose gravel and rubble! Cars can not pass, relief after difficulties and obstacles. But he did not block the pace of relief that we surmount. Time is life, to fight for a minute of time to rescue the wounded, we unite cohesion in disaster relief efforts to save people.

Bronze statue planning is a highly comprehensive

Chen Yungang: young city that, "city" residents is a huge difference. Bronze sculpture features the city that is combined with the city building, and harmonious urban environment, and coordination of urban space, and the city people can watch it produce exchanges of information can pass some kind of mental work of art. The blend of craftsmanship and cultural art make the Chinese civilization of bronze sculpture emerge earliest come from behind. It has a variety of ways to occupy space in the form, also has a fixed position of the non-mobility. Or that it is presented to "those" before it can move to the people to see. Yungang Chen: So, in what age groups concentrated regional planning what style and content of the sculpture in bronze, a city can be fully taken into account the overall characteristics of the knowledge structure of the state, and take into account the different areas of a city population of knowledge of structural features, and targeted to a bronze sculpture for differentiated planning, for us it is a wisdom and vision to the planning decision-makers the challenge.
Yungang Chen: In summary, bronze statue planning is a highly comprehensive, multi-faceted cultural knowledge and future development strategy of the emerging discipline. It is not like urban planning, as there can learn from many of the classic examples of ancient and modern can refer to. It is the bronze sculpture make China stand in the advanced level of the world.  Although the history of civilization in Europe, along with bronze sculptures almost the history of European civilization and common development of the urban construction. But in China, introducing people to it, accept it, use it only after nearly a hundred years of history. However, planning for Bronze sculpture is still an immature discipline. In today's China is such a blazing building craze chinese bronze, bronze sculptures planning study should be ready to come to the moment.
Especially in the bronze sculpture with rich heritage, but not long-lasting traditional Chinese bronze sculptures; has 5,000 years of civilization in recorded cultural heritage, but the lack of empirical science and traditional Chinese, learn the history of vision, the vision of development, with statistical methods, using social science methods of analysis, serious and responsible manner for our city, our home for the long-term planning of bronze sculptures, should we strive to do. Wu Weishan: five experts today's speech are related to the context of globalization, as a bronze sculpture, architecture, public art development. It pushes forward the smelting technology of bronze sculpture to a new peak. Mr. Song Chunhua from an emphasis on the national spirit, innovation, and promote the human spirit's point of view, explain the architecture and work together to create a china bronze of the importance of culture.
In particular, to promote original, contemporary and creative approach, the form of dissemination of the absorption line with the nation's cultural the spirit of the beneficial ingredients to create a new urban culture, from culture to culture, the material symbol of the modern, ethnic transformation. bronze sculpture is the emblem of proprieties system of Pre-Qin.  At this point, Mr. Chen Yungang's speech involved a bronze sculpture on city planning and cultural basis, also emphasized the city's cultural background, bronze sculpture, the classification of urban features with originality. There is no doubt that deep-seated cultural diversity and the characteristics of today's traffic, advanced information technology, and cultural context of growing the same issues of common concern.

The bronze sculpture also hold high historical value and artistic value

In the summer of taotie inside already on a bronze culture. Shang and Zhou dynasties taotie many types, some like a dragon, like the tiger, like cattle, like sheep, like the deer; there like a bird, like the phoenix, like people. . By 1949, monographs about the research of Chinese bronze sculpture had reached more hundreds far beyond that on any other vessels. Western Zhou Dynasty, bronze decoration of the mysterious decline. Dragon and phoenix, still a lot of bronze pattern motif. It can be said of many design patterns, is actually from the snakes, phoenix birds evolve from the two types of decoration. Cicada pattern, is Shang, Western Zhou Dynasty common pattern, the Spring and Autumn, as well as deformation of the cicada pattern. Spring and Autumn Period, Chi dragon prevalence gradually dominated, almost all the crowding out of other patterns.
Ancient Chinese bronze is another prominent feature exquisite delicate production process, showing the ancient craftsmen have a talent for creativity. Range with ceramic composite made of bronze statue casting and the Model Law, in ancient China to be fully developed. Tao Fan Fan turn modeling the choice of materials, pattern engraving are extremely elegant, muddy cast, sub cast, cast then, stack casting technology is very mature. Chinese bronze sculpture has various species.  No need to point out the subsequent development of lost wax casting process technology, bronze casting process is undoubtedly a big step forward. Be mounted on the sculpture in bronze to increase the beautiful, this technology is already there. Embedded material, the first one is turquoise, green gem that is still used in jewelry. The second is the jade, jade aid Ge, the spear leaf jade, jade blade such sway.
The third iron meteorite, such as copper ax blade iron, copper, iron blade aid, was identified, iron blade are Master iron. The fourth is embedded in copper, with copper to form zoomorphic patterns. Also useful in the Spring and Autumn gold, decorated with inlaid silver to chinese bronze. Eastern Zhou era, higher smelting technology development, there has been manufacturing bronze literature Technical Summary, "Kao Gong Ji." Book on the making tripods, axes, Yi Ji and other objects used in the proportion of copper-tin bronze in the detailed provisions. Frequent because of the war, weapons casting has been developing rapidly. In fact, Chinese bronze sculpture has a long history and large quantity. In particular, Wu and Yue sword, abnormal sharp, world famous, there are some famous sword of craftsmen, such as go-getters, Haruko, and others in Europe. Although some sword buried in the ground two thousand years, but can still cut into the stack of paper.
Goujian sword and some other sword, the surface after some chemical treatment to form a diamond-shaped rust, flake-shaped or flame-shaped patterns, unusual gorgeous. There is also a feature of china bronze, is so far not found any portrait. Many employers face shape as bronze ornaments, such as human face Fang Ding, who face ax, etc., but these people face are not any specific person's face. The bronze sculpture also hold high historical value and artistic value.  More of the overall image of objects is a human, such as the human form of the lamp or device base; or objects to people as part of the whole, such as the bell frame has humanoid hands lift up sword beams, copper next several humanoid Foot- and the like, most of these men and women to be from the human form of dress, and not a portrait of a particular slave servant.

The use of china bronze in bronze creativity

Modernist respect for science and reason, unassuming man as a world dominated by "subject" of value and meaning, in recognition of the progress of civilization for the promotion of modernism to create a comfortable life and played a positive role, but also should recognize that modernism in unremitting passion for innovation domination, constantly grab the natural process, to make ourselves into a heavy natural crisis and social crisis. The social status and role of bronze sculpture in the Shang and Zhou matter a lot. Global development of the North-South differences, the disparity of wealth within society, lack of natural resources, collapse, environmental degradation and ecological imbalance, and the resulting regional conflicts, ethnic conflicts, disease and natural disasters occur frequently, so that ecological problems beyond the field of natural science, and extensive as politicians, economists, sociologists and scientists, issues of common concern.
[have been into steel], China already has a strong culture of post-modern thinking, the Chinese market also exists worship, the prevalence of instrumental rationality, ecological deterioration and other serious problems, reflection on modernity and beyond as necessary. The bronze statue are both sacrificial vessels and essential weapons in the war. In this way, the Western post-modern ecological thinking for our understanding of their reality as meaningful, and the activation of post-modern ecological thinking of our philosophy and traditional Chinese concept of re-understanding of life, including traditional Chinese aesthetics for our understanding of today's art still has an important role. Post-modern ecological thinking in the arts is also reflected on the form, it updates the concept of contemporary chinese bronze creation and the environment have had an impact in practice.
From the state of contemporary art, the new artistic concepts and creative forms of art and life reflected, and nature, and environmental characteristics of fusion is evident. Art of Duchamp's readymades, Beuys's "social bronze sculpture" concept, creating a path of art to life. What’s more, in the slavery society, bronze sculpture of China is also the emblem of etiquette system. In particular, the 1960s pop culture and consumer culture to infiltrate into art, the emergence of pop art, pop artist not only the life of existing cultural symbols and objects used in the creation of the image plane, but also the use of china bronze in bronze creativity. Such as Oldenburg to peg, lipstick, etc. as the prototype, amplified copy from the city square bronze sculpture, for the urban environment adds a strange landscape. In addition to Robert Smith, Christopher, Walter de Mary as represented by earth art and environmental art, there is room to expand the art form.
Such as Walter de Mary has created a work "lightning wilderness" in Albuquerque, New Mexico, a valley, Mary planted four hundred stainless steel pipes, each pipe are shaped with the tip of the needle They are a mile long site preparation occupy a mile wide plains. In this piece of wasteland and more thunderstorms, lightning hit the pipe to form a spectacular sight of Ran is captivating. The bronze sculpture serves as the mark of nobility and aristocratic family as well as the symbol of state power. This piece is a human creation is the creation of nature, only by the collision of man and nature, it may produce such a magnificent blend of the landscape. And Michelangelo, Rodin's bronze sculptures such as comparison, bronze sculpture, earth art and traditional stirring people have the power, but traditional sculpture in bronze is an independent, closed physical space.

The material of the bronze sculpture is in good quality

It is reported that the transformation of the original bronze hall three halls, in order of expansion room, mask room, group portrait hall, worship hall, Liren Hall, Mibao hall, interactive hall 7 hall, featured more than 120 pieces of bronze. Highly distinctive ancient Shu bronze sculpture group to be more comprehensive than the previous system display. The bronze sculpture must have a long the historical time, especially the one in Zhou Dynasty. It is worth mentioning that, by showcasing conditions before, the biggest one Sanxingdui bronze masks (high 72cm, width 132cm, anteroposterior diameter of 80cm) never formally exhibited, in the new museum, into the museum's most prominent booth they left this monster weighs 200 pounds.
Other than the mask, there are still many large Sanxingdui chinese bronze, how to move these relics is it? "In order to avoid artifacts in the handling process 'injured', for each major museum artifacts have developed a program of specialized transportation exhibit, at the use of stretchers, splints." To the big 300-pound bronze Liren, for example, display storage, said Minister Zhu Yarong , cultural protection experts in transportation, first Liren your tailor-made for it on the "stretcher", and then start to finish with a splint, and finally by eight professionals carefully jumping to it from the warehouse hall, no sloppy. This piece of the bronze statue has elegant production, unique shape, and exquisite craft. Showcasing fishing line fixed with new tactics.
Small Bronze transport difficulties do not exist, but because of their low weight, is not easy to display its fixed end, the museum can be said has thought of everything, and finally came up with fishing line binding solution. The material of the bronze sculpture is in good quality. Reporters on the scene yesterday, the staff is small bronzes on display, including one holding a small portrait Zhang less than 5 cm high. Staff to be placed in the crystal base, they use hair-thin line of silver fish to be fixed, do not get closer look closely, the reporter did not see the portrait of the fishing line tied to the armpit. "These fish, although very fine line, but very flexible, so that artifacts will not damage fixed, it will not affect the visit effect." Zhu Yarong said the combination of the Exhibition Hall of the pottery Chen also uses a lot of the fish line fixation methods. Installation of emergency response activities Showcase.
It is understood, "5.12" Wenchuan earthquake, Sanxingdui Museum, specimens of only two pieces of pottery were shattered. "Although the quake caused no damage to the large number of relics, but after the earthquake, the new museum renovation of china bronze, we added a lot of seismic elements emergency." There are inscriptions on the bronze sculpture are connected with a king or a major event. Zhuya Rong said, in addition to strengthening cultural relics on display, the Bronze Pavilion showcasing all used high-tech equipment, especially the showcase, "We will all be converted into fixed showcase the activities of electronic control glass, so even if faced with an emergency, security personnel in a short time, start switch, the glass shake up, calmly to take out the precious sculpture in bronze relics transferred to a safe place. "The lighting is also very cold spot novel circular base, so both are the best protection relics, but also perfect for display.

Reflected in the bronze decoration

Then bronze decoration is extremely rare in human form, and occasionally appears, is only in a passive position, and gluttonous face and often constitute the center of all the decoration, is daunting. In 1974 unearthed a bronze sculpture in the Erlitou relic of Yanshi in Henan province. Hideous decoration is the fear of the fate of the decorative objects on the projection: the alien is the embodiment of terror, of fear over the clan is the symbol. With the development of productive forces, people use their wisdom, tools and beast struggle, from the occasional win, gradually stalemate, to seize the initiative to challenger would appear, although there are a number of wild beasts, but not as often as the previous people living in the village come and go, the cities. Struggle between man and animals gradually reduced, or even beast tracing cannibalism, and people seeking to enter the animal and hunting era.
Bronze decorative pattern is still preserved in the animal no longer has a strange power, or real animal pattern, character pattern or geometric patterns instead. The relationship between man and animals change, affecting people's attitude to animals. The modeling and crafts of this chinese bronze were characterized by considerable primitiveness. Reflected in the mythology, the role of animal ancestors from groups (such as the relationship between the child first and last black bird, the Eastern Zhou Dynasty's books, "Poetry Ode to business" in the "fate Xuanniao, reducing the health providers," said), to God's messenger ("the text says," said: "Phoenix, Bird is also" God's messenger.), the hero from the ancestors of partner (such as Xiahou Qi and the relationship between the two dragons, "Shan Hai Jing", said: "There are two days of Kai Bin Long as partners. ") imposed for the hero to kill the demon.
If the early legends of human attitudes to animals is fear, then later mythology, this attitude no longer exists. At this time the animal is no longer a help human ancestors who become evil in people, to get rid of the hero of the capture to cut up the devil feats. "Shang and Zhou bronze statue various patterns on the phenomenon, not out of the first singular aesthetic, but out of respect for the forces of nature and its desire to dominate the childish fantasy." The emergence of the bronze sculpture confirms the possibility that Yu did produced nine dings. "Shang Dynasty bronze patterns, was living with in the animal kingdom and the relationship between people and animals inseparable. Reflected in the bronze decoration, stylized animal ornamentation tends to the previous period dominated taotie, Kui reduce the number of lines, size reduced, decreasing the performance of the strange power, and gradually lost its past supernatural magic.
In other words, the Shang Dynasty animal decorative patterns used by artists, most are old and a native and nature-related basis. This jue has become the earliest sacrificial china bronze until now in the history of China. "artisans They "will be the subject of animals divided into equal halves, makes up plane, then the same animal body parts to be repeated; or a part of the animal with another animal with the B part; or exaggeration of the body of a while He ignored the Ministry, the resulting complex patterns, so there's all kinds of strange queer appearance, but the theme is the environment since they live out the "So," by taking the images more taotie is the origin of a self,sculpture in bronze to take all the common birds and other objects, or nearly taken from humans. "

The technical training of bronze sculpture

Only for the rich tradition of bronze sculpture and improve and expand the "anti-bronze sculpture" was not only lose a certain historical value but also has some aesthetic significance. In the "anti-bronze sculpture," the action, the "broken" is only a means and methods, "Li" is the purpose and direction. "Anti-bronze sculpture" The ultimate goal is to create a bronze sculpture of the situation. Therefore, only from a "anti-bronze sculpture" to "bronze sculpture" of new life, is the "anti-bronze sculpture," the historical mission and aesthetic purposes. For example, there is an bronze sculpture inlaid with turquoise engraved with fine taotie all over. In other words, "anti-bronze sculpture" in the disintegration and reconstruction of such a process of breaking standing to achieve its aesthetic value. Having said that, "anti-bronze statue" instead of "anti-traditional" filling to cover "non-traditional" scarcity, nor is technology used to divine the digestion properties of numbness masking technique, but not by pretending to be easy to chic playing hide deep emptiness, but for the moment the urgent need to expand the arts.
True sense of the "anti-bronze sculpture" has a proximate actual reasonable accord with the law of historical necessity and consistent with the scientific. This "anti-bronze sculpture" aesthetic value can be regarded as a cultural strategy - disintegration and reconstruction. These relics unearthed in the tomb of Fu Hao, especially those bronze sculpture and jades are both large in type and ingenious in workmanship and in good state. This cultural policy in the 20th century, China volatile situation several times and only use different exploits. 20th Century Chinese "anti-chinese bronze" behavior of the broad, complex and arduous nature can be described as never occurred before. Back in the "New Culture Movement," the wave of innovation, many bronze sculptor through the "begging foreign aid" and "explore the intrinsic" approach to the physical transformation of Chinese bronze sculptures, but because it was studying a group of European and American bronze sculpture home is too enamored of the Western academic tradition.
Coupled with the special needs of Chinese society, this period of "deconstruction and reconstruction" is actually just stop at the Western College of realistic bronze sculpture of the transplants. The beauty of the shape and the exquisiteness of the china bronze have been totally out of people’s expectations. The real traditional Chinese bronze sculpture to "disintegration and reconstruction" in the reform and opening up. From the "integration" of the creation of a nightmare in the wake of bronze sculptor who tried to "Na Yang Xing," and "opened today by the ancient" bronze sculpture of ways to seek the prosperity and development. They break the boundaries of art, ideas flying Mustang, use all means to change the bronze sculpture dead situation. Their actions have a tradition of bronze sculpture of the nature of innovation, are trying to achieve from the "anti-bronze sculpture" to "bronze sculpture" by leaps and bounds.
However, such efforts often backfire. This piece of bronze sculpture is acclaimed as the tour de force of the Chinese ivory carving. In many cases, "anti-bronze sculpture" is just "broken" the old standard bronze sculpture bronze sculpture without the new paradigm can "stand up". The reason why "without breaking up", because many "anti-bronze sculpture" behavior is neither "technical" no "Road", not to mention the "technology into the peace Road". Carefully looked difficult to find, a lot of "anti-bronze sculpture," the act does not attach importance to the technical training of bronze sculpture, sculpture in bronze, but also do not care about the technology standards, but do not control what the methodology, do not talk about the world. The fierce challenges of the future cultural development and art itself change the inner constraints of the expanded reforms.

This piece of chinese bronze sculpture is acclaimed as the tour de force of the Chinese ivory carving

They are presented to you the feeling of power and Ning Li a mysterious beauty. The reason why they have threatened a mysterious power, not the image itself of these animals, how strange power, but rather the image of these strange symbols, seems to point to some kind of divine authority over the concept of the world (supplement Figure 11 : Shang Ding generous. unearthed in Henan Zhengzhou Mall site, which fully reflects the beauty of Ning Li Shang bronze art style.)
Ning Li awesome in that it seems mysterious threat in an accumulation of deep historical forces. It's a mysterious terror is just great with this inexorable historical forces combined, became the United States - noble. For example, there is an bronze sculpture inlaid with turquoise engraved with fine taotie all over. Here indeed there is no person status and power, standing mystery of the animals this is the deformation, which threaten, devour, suppress, trample on the human body and mind. But it was community, through blood and fire all these brutal, barbaric, terrorist, the power to open up its own road and stepped forward. With the sentimental attitude would not be able to understand the art of the Bronze Age.
This frequently killing thousands of prisoners, slaves in history as early as in the past, but the representatives reflect the spirit of the times this bronze art has been appreciated by us, praise is not extinguished, is not correct is that they reflect this objective is a mystery Superman history forward force? It is this history of superhuman strength, that constitute the art of bronze Ning Li essence of beauty. Good in the world of women, this Ning Li of the wind everywhere, it reflects the characteristics of that era. The beauty of the shape and the exquisiteness of the china bronze sculpture have been totally out of people’s expectations. However, we by that solemn silence in front of bronze, two thousand years ago who had the exquisite bronze casting process and was deeply shocked, to create a civilization of our ancestors are sincerely proud of.
After 10 days, Siping Lishu cultural workers to the territory of the left bank of the East Liaohe great Tiger Village, Liu Chen Town restaurant Haituozi Feng Shui, Tuen eastern mountain rescue clean-up sites were excavated, two housing sites were clean, kiln 2, two pits were excavated pottery, stone, bone, clam shells, etc. all kinds of relics more than 30 pieces. Has entered the interior finishing, repair stage. This piece of chinese bronze sculpture is acclaimed as the tour de force of the Chinese ivory carving. In addition, heritage law enforcement officers also seized a local farmers unearthed two of the representation of pottery.
Lishu heritage management director Ching Hai song introduced in June this year, the county law enforcement unit to the heritage town of Liu restaurant inspection, the great tiger in the eastern village of Feng Shui, Tuen Chen Haituozi picked off near the mountain pottery, we know Hill is an underground site. October 27, Palace of the local farmers took two nipple ear of a jar to the pear, four equally antique shops, pawn shops looking for dealers to sell artifacts, relics dealers can look, not buy because of the relics. See the acquisition of a house no one would take home. Besides, at the same time on the numerous unearthed sculpture in bronze are carved with the inscriptions of Fu Hao. Maybe baby is a cultural collectors discovered, reported to the Siping City cultural relics management department. Siping Municipal Cultural Relics Management Commission Office received the report, immediately instructed the law enforcement unit to the local cultural relics Lishu investigation.

The Two differs in the degrees of the attention to the ritual sculpture in bronze

Before the late Western Zhou Dynasty characters and the image of God in a different, closer to people's true colors. In the first place, different feudal estates gave rise to diversity of the bronze sculpture culture in the early period of these two countries. At a time when the proportion of very few characters, but after all characters entered in the decoration of bronze, which reveal the culture at this time, the emphasis on reality. Ceremony Disintegration into the Warring States period, as a historical theme of people have walked onto the stage. Zuo Duke Huan of six records.
Fu Man, Lord God, is holy Wang Xiancheng people dedicated to God and then. People have been mentioned first, God is reduced to a secondary position. Best embodies the big change from the Spring and Autumn Period to the Warring States Period Bronze and Etched on the prevalence of mosaic images, or those located within the outer end of the Bronze decorative figures show is a living activities. The shapes and types of bronze sculpture of Qin has a great impact on the Western Zhou culture. Such bronze in Henan, Shandong, Anhui, Sichuan, Jiangsu, Shanxi, Shaanxi, Hunan and other provinces have found that the distribution of a wide range. These screens can be seen from the author's real-life concerns.
Of the subject matter is broad, mostly aristocratic life, including feast, dance, practice shooting, picking mulberry, Ge, and land and water necessary condition for battles and other scenes shot, and many plot reflects the prevailing social outlook, which is unprecedented. Therefore, Chu was less influenced by Zhou’s culture of china bronze sculpture. In addition, statues of people in large numbers, this is one feature of the Bronze Age, such as from the tomb of the bronze bell on the image of the young warrior, wearing a flat circular crown, sword around his waist, the brow glow with one kind of British Gas.
Sanmenxia Ridge village unearthed kneel on the seat were painted lacquer lamps, engine light hands kneel sit to handle, comb side bun, wearing a hairpin, the right of junction dressed in robes, belted waist with hook fastening. The situation that no sacrificial chinese bronze sculpture or less importance on them in the early Chu did has something to do with the custom of the barbarians. All these phenomena are strongly beckons humanity in this era of recovery, the community also filled from the divine to highlight the humanity into the era of era. While the statues and ornamentation characters are different, but with Reiji's collapse, coupled with advances in technology bronze, bronze categories increased, people become statues in bronze as part of construction, which does reflect the social and ideological changes.
In a certain sense the characters as decoration in bronze statues on the understanding of a mutation and extension, also regarded as a decoration in society through methods of thought, especially when large numbers of people when the statues, we should not ignore their existence. Second, the Two differs in the degrees of the attention to the ritual sculpture in bronze. Through the above analysis, we change the Shang and Zhou bronze decoration can be seen, the return of human nature is divine aptitude ideas developed during this period the general trend. Han dynasty bronze mirror of the "abstract". Chance, to the antique market in a large bronze mirror that side.
Bronzes from the initial performance of the deity of the taotie things ghosts and spirits to diffuse concern about the social reality, focusing on reality, and then developed to highlight the humanity, the completion of a return to humanity by God aptitude. Of course, this return is based on the unique social development of China-based. The bronze sculpture of Shang Dynasty mostly were funerary vessels. This was also the Chinese culture. Premature "a performance. From the very beginning, the shapes of Qin’s ritual generally inclined to be small. This from the divine to the human nature eventually return, laid the pattern for future development of Chinese culture, so that China and the West to embark on a completely different path of development that focus on this side of the world, and less on the other side the world.

Sunday, May 20, 2012

The sculpture in bronze of people's attention plays the role of pack

The central entrance is that people must pass through the tall statue can better block the sight, but also the feelings people have portals, but more to the side, the closer the tall buildings, thick potential by building, statue size need not be so big you can play the same role in the psychological barrier and the building will not have visual confrontation. It was not rare to find dozens of bronze sculpture in one grave of Chu. Second, the placement of the bronze sculpture and architecture in the square between the peripheral location, away from the main traffic and help create a wider and focused space, thus making available a substantial increase in the number of bronze sculptures, and will not obstruct traffic and attention, and Each statue has the potential to have a good back, like David, Don Donatello's Midi Si and it as a series of statues in the backdrop of a wall where Qiou achieved good the effect.
And these statues can also be a wall between the ground to form a "gray space" to make the transition between them appear more natural and harmonious. The essential of Zhou rituals was the system on using bronze statue. Buildings around the square, the main entrance of the decorative carvings of the layout is also the case of this type. Third, square, or building facade of relief bronze sculpture in the form of building structure. This practice in the Western classical architecture in common. Bronze sculpture is part of the building components is essential plaza arts an integral part of the landscape. In addition there is a special case, is the main carving of Qingdao May Fourth Square, "May the wind," the composition layout.
The bronze sculpture in the plaza at the entrance to the layout and enclosure of space plays a guiding role. If a larger space into the deep, not as the main type of chinese bronze carved; if space shallow, it may highlight the building. Consequently, the ministers and feudal lords more often than not cast a great deal of bronze sculpture to demonstrate their honorable positions.  Chairman Mao Memorial Hall before the symmetrical placement of the two bronze sculptures, among them the formation of a small entrance plaza. As the sculpture in bronze of people's attention plays the role of pack, which allows visitors to play a stronger role of pack, which allows visitors to feel strongly the great solemn Memorial building. The Venetian, built to commemorate him this square. Which have "Mark" the flying city of Venice is the lion emblem.
Napoleon was hailed as Europe's most beautiful waterfront living at the entrance to Venice's Piazza San Marco with a china bronze of a pair of stone pillars, marking the entrance of the square is the square space is one of the signs. By comparison, Qin was totally different at using bronze sculpture. West and East pillars standing, stood on the west side of the capitals Shengtuodaluo like, Shengtuodaluo is the patron saint of Venice first. East of the capitals is an artful bronze lion, the lion left front fly caught leaning a holy book, the above was written in Latin: "My Saint Mark, where you rest in peace!" Horse But Jesus' disciples, "saints" in the "Mark" author, The top of the flagpole in the square, bell Tata body, and St. Mark's Church of dust on top of the figure has the lion fly, flying lion to a different building space have a common design elements to enhance the various parts of the square of space link.

The bronze sculpture had been gradually replaced by iron wares

More simply Bronze mainly refers to the pre-Qin period artifacts made of tin with copper, including tools, utensils, ritual vessels, weapons, accessories, etc. Archaeological bronzes are specific to the pre-Qin era copper-based texture, add a small amount of tin, lead casting, the surface was green or blue gray objects. Nature is our human existence and life of the material treasure. The last period of the bronze sculpture means the time between the Warring States and Qin and Han Dynasty. All along, there is a lot of copper ore in nature. Malachite is one of the more common form, the color was emerald green, peacock feathers as a result of the above named malachite pattern. From very early on, it is very popular this ore, it made necklaces and other ornaments to collect.
In later use, it has inadvertently found out in the malachite if burning charcoal melted in high temperature copper liquid cooling and solidification can be freely shaped. This phenomenon in everyday life I do not know how many times repeated, beginning and did not attract attention. Finally, to the late Neolithic Age, it was discovered and mastered the use of malachite plus charcoal to smelt and cast copper technology. The bronze sculpture had been gradually replaced by iron wares. Since then, the red bronze in popularity, the earliest human bronze resulting. Therefore, this era also known as the Copper Age or Chalcolithic era. Currently, the world's earliest discovered made of bronze with copper, is found in southern Turkey, produced thousands of years BC seventy-eight copper needle and copper cone.
And according to archaeological evidence, Egypt is also BC 3500 - 3100 years before the culture period Geer Se smelting of copper with knives, daggers, axes and so on. China's first bronze was unearthed in Shanxi Xiangfen Temple Longshan culture site of tombs were excavated, about BC 2085 smelting red bells. The zenith of the bronze statue of China consists of Xia, Shang and Western Zhou Dynasty, Spring and Autumn. Then copper and bronze are not the same as what is it? In general, the copper hardness is low, not suitable for production of production tools, the role of the production is not. Later, people in long-term production practice and found a tin ore, and learn to use it to add charcoal smelting of tin. On this basis, it further increases the invention of tin with copper smelting into bronze alloy technology, and recognize the bronze copper greater than the advantages.
Bronze is copper alloy and other chemical elements with low melting point, hardness, chemical stability characteristics. For example: copper and lead alloy for lead-bronze, an alloy of copper and tin bronze, there are other tin bronze, nickel bronze, phosphor bronze, and so on. Bronze superiority is reflected in the hardness on. For the copper hardness Brinell hardness of 35 degrees. If the tin in it plus 5%, the hardness will increase to 68 degrees; plus 10% of tin, which increased to 88 degrees. And by hammering, it's hardness can be further improved. The china bronze sculpture are generally the sacrificial bronze sculpture, musical instrument, weapons and miscellaneous.
For example: Add 20% tin bronze, the hammer hardness can be increased to 228 degrees. Second, the bronze has good mobility solution, casting solidification shrinkage is small. Therefore, the bronze to cast out the blade sharp, chiseled, fine pattern artifacts. Ancient Chinese bronze sculpture manifests the wonderful and excellent talent of creativity of the ancient craftsman. Third, the bronze of the chemical stability, corrosion resistance, long-term use and preservation. Fourth, the lower the melting point of bronze alloy, bronze damage can also be recycled again after casting.

Do you like bronze statue?

To create space, control space, the entire environment As a work, it eliminated the distance between audience and author, to eliminate the differences between plane and three-dimensional, so impressive and touching, the boundary between visual and auditory. Environmental art is representative of Ⅱ Alexander Calder, is his masterpiece. Almost simultaneously with environmental art produced by occasional dramatic art is similar to a performing arts. After this, there was the proper disposal of earth art of nature (or landscape art). Yesterday, a man tried to sell me a bronze sculpture statue. Robert Smith is the representative art of the earth, the most representative works are "Spiral Jetty." In the 1950s after the emergence of post-modernism has the following characteristics: an attempt to break through aesthetic category, breaking the boundaries of art and life; from traditional art, modern art turned to the morphological category methodology, using art to express a variety of ways of thinking.
From emphasis on subjective feelings to shift the objective world of personality and style of the indifference or hostility; ignore the unique nature of work, ignoring the value of the original, focusing on the complex nature of work and mass production; from the industrial, mechanical feel and anti-social combination of industrial machinery : that art civilians, extensive use of mass media. Do you like bronze statue? Postmodernism, on the surface, before World War II is the negation of thought and schools. But the fine plus study, it is the theory and the early ideas, genre interlinked. It raised the subject, in fact, in Dadaism, Surrealism justice in soil has been put forward. So it was suggested that postmodernism is the well-known before World War II to the concept of re-selection and valuation, part of it in the new historical conditions re-development.
In this sense, postmodernism is modernism certain aspects of the extreme development. Post-modernist aesthetic theory and practice of the many new issues, is worthy of attention, requires careful study and reflection.  Many people like the chinese bronze statue. For example, how to define art? Art concepts and categories in the new technological revolution is under the impact of a new change? Arts and everyday life and how? How to penetrate into all areas of life? Of these issues seriously and seriously discussed , also on the development of our socialist arts have a positive impact. In the historical process of China's reform and opening up, also there had been a cultural arts is known as the "85 New Wave" of cultural reform movement, though not perfect, is not mature enough, but 20 years on the development of China's new era of literature and art the impact and role is indisputable.
Economic globalization, the contemporary art of wave after another, we should be gentle-minded tolerant, sensitive way to learn, to tackle the attitude of negation of negation. china bronze of College art and design environment. Do you want to have one bronze sculpture statue? Each university has its own history and unique nature of the university campus environment designed bronze sculpture of the first to show their own professional advantage and uniqueness, followed by the bronze sculpture to the campus and school traditions, culture, architecture and environment of harmony and unity, in order to achieve a certain aesthetic realm, the most important is a sculpture in bronze of campus design and construction of the college and cultural qualities of enlightenment has an irreplaceable role. Different personality from the cynical expression became cold no personality, and the prototype greatly changed and exaggerated, and even abandoned the original content.

American David Smith, hand welded metal china bronze sculpture

You will find the stone in your hands the spirit and the other property, you will follow the thinking of the stone materials, and expand your artistic ideas. "This shows that when you find the beauty of this material, the art of thinking there is a strong spirit of place, through the material to achieve the author the creation of an ideal, it will reach a bronze sculpture of the artist that the public wants the comfortable position. Rather than keep it himself to show his loyalty, he sold this particular bronze sculpture statue. With the progress of human society and the era of science and technology development, natural raw materials, composite and non composite materials continue to emerge, it will be invisible to the artists which provide a broad space for development of language materials. Construction material of language diversity in turn is evidence of the formation and development possible. Bronze sculpture of the development process, is expanding with the progress of the new space age process.
The diversity of modern art trends, determine bronze sculpture as a carrier of a wide range of materials to expand, to find and explore a variety of raw materials or new scientific and technological achievements of modern materials with a meter, so that it directly into the form factor. Bronze sculpture of the material, plus I: too different lemma have different art form, will have a different artistic effect. However, Zuo did not store the bronze statue up but transferred it to Pan Zuyin. Materials to expand the art of bronze sculptors imagination, is to express emotion, and poetry have always focussed on the physical carrier, bronze sculpture of a lack of material support will inevitably lead to poor artistic language. This accounts for the bronze sculptures and foreign ho if smoke sea, those who can import chinese bronze art history, have created, to be seen, have their own unique beauty.
This unique, which necessarily contains the original shape of the material. Metal, as. L tools and weapons, in the process of human civilization, in our collective unconscious, the accumulation of a rich and complex aesthetic sensibility - hard, strong man, a heavy, cold, sharp, threatening ? ? from the sculpture in bronze, cold weapons, to modern industry and the two world wars, Li metal have brought me joy, but also pain. Why did Zuo give the bronze sculpture statue to Pan on earth? Charlie Chaplin in "Modern Times" in the j: Industry Machinery his best satire. However, the metal material be understood as an independent, one does not rely on language modeling clay sculptures of bronze, with cutting and welding can be created directly. Brancusi significance is that he works for a variety of materials including metals, including their respect for the beauty or aesthetic value.
American David Smith, hand welded metal china bronze sculpture, from surreal fantasy gradually showing a cross between constructivism and abstract expressionism style between. Zuo had not forgotten Pan’s help when in trouble and knew his favorite hobby was to collect the relics of metal and bronze sculpture statue. David Smith's masterpiece is 1960's "cube" series. This is some of the huge stainless steel blocks Hj barricaded the building blocks, Yaoyao Yu Lu Di balance with, there is a simple and interesting lyricism juvenile. He is a modern American I: industry hard song civilization is the history of metal bronze sculpture of a real milestone. Another range between art and abstract expressionism Libo Pu metal bronze sculptor John Chamberlain ?. He likes to use the waste of the wreckage, they are folded and then welded stamping live together. Among these are an abstract Zhangli Yi has a decadent imagery.