ornamental bronze sculpture pulled into a specific field environment

It is not only the appearance is unassuming, even to the expansion and extension of space and environment, ornamental bronze sculpture pulled into a specific field environment, to make it itself and the public art space environmental space, natural landscape and environment in harmony. any corner of the world, as long as the object exists, the spatial field showing the endless richness when this space does not have the spirit of participation, it showing a diverse and scattered in the space of this scattered lack of a unifying force, the lack of a consistent with the spirit of the order of a bronze sculpture, its own and in isolation is often not important, you can put it into an environmental space, the overall field of environment it formed with the surrounding space becomes extremely important as the space of art. The newly found bronze sculpture is the embodiment of the prevalent carving decorative technique at that era.
 Bronze sculpture by a particular material constitutes the real body, and gradually transformed into a bronze sculpture to appreciate the subject of perception, the nature of its space has been the object of physical space to convert the main body of the psychological space. this conversion so that people in the changing environment and fast and quick, fleeting modern life. can feel the existence of the field environment through visual and tactile aesthetic value, and the volume of material bronze sculpture itself have meaning and value of the environment is a feeling of the encirclement space between the body and field environment. The bronze sculpture in the museum have obvious characteristics of the times.   Expansion of the role of the connotation associated with the development of urban construction, and expansion derived in the effective value of their functional roles, and so to import popular art of the social characteristics toward public life, around the public living environment and create a public space urban bronze sculpture organic compliance and development needs, as the urban construction and the city environment as a whole one of the factors bronze sculpture, even at the bronze sculpture for the main, should not neglect the interaction between the environment and space is relative , there is no entity to do with reference to its own does not exist. During the archaeological excavation, a large number of exquisite precious bronze sculpture have been unearthed.
Therefore, the spatial variation of all entities for the transfer, it has a rich form of expression, the number of environmental bronze sculpture, there is much space forms exist, although this so numerous space form, no rules, from the perspective of the human visual language expressive of its space is very important for a number of complex bronze sculpture, often single individual does not directly convey the overall implication, the total portfolio of generation a completely different implication and individual and spiritual, this overall combination of spatial image are closely related, spatial language has its own independent value.