Monday, May 21, 2012

Contributed to play the role of nude statues sculpture

After the Tang Dynasty to Song Dynasty bronze sculptures of the weak, also contributed to the bronze figure with Western cultural change and continuous evolution. As Zhuangzi said: "Since its different depending on, the more hepatobiliary Chu also; since its the same as those of all living things are one people." Unconventionally, a square mouth of the bronze sculpture is cut in its back with a lid which is attached to the back with a loop handle. The difference between Chinese and Western culture is unique, but similarities and differences between Chinese and Western musical instruments lies the basic characteristics of the comparison is both Chinese and Western bronze sculpture has a cultural and historical value, but also with the times and realistic significance. Bronze sculpture in the garden's role in the formation of the mood in bronze sculpture and garden environment in scale, material, design, space effects, and mental content to be in harmony for the garden environment by King, to add color to achieve the finishing touch.
Achieve this purpose, contributed to play the role of nude statues sculpture. But the art of bronze sculpture, the potential has not yet fully played out, bronze sculpture fullest potential is to reveal the nature of the surrounding landscape character of its own, according to the spiritual landscape, so that their lives and the lives of landscape blend, resulting in a new garden mood. On the bronze sculpture stands a tiger whose four feet spreading forward and the back slightly curling up as if it was preying.  Back in the 1930s when a number of artists and designers have had the perfect fusion of these up. Such as Michelangelo, the period of the younger generation just decided he could from art, architecture, environmental factors to the overall grasp of his work, to make their work environment to achieve the best combination of points, which left many enduring bronze wildlife sculptures, such as "David" "Moses" and so on.
Some works of art itself is a successful work, but there is no place in an environment appeal, the deterrent effect, decorative edge. Solitary Hill in Hangzhou, next to the park, "Qiu Jin" statue is an example, to commemorate the 1911 Revolution heroine, Jianhu Woman Qiu Jin. By comparison of the thin fresh ferocious tiger and the large and silly cow bronze sculpture, the audiences can not help laughing. The early eighties, the garden department erected a memorial in this image, the whole bronze sculpture about 4 meters high, staring in front of Woman sword, from conception on the subject and no doubt a great bronze angel sculpture commemorating the line. But visitors to the statue is not easy to find here, from the size and the environment, after the King overwhelm the statue, thus weakening the significance of the statue, to pay tribute to those who have lost the respect of the function.
Bronze sculpture in the garden environment, public one embellishment, and second, turned a deaf ear. Only in the beautiful environment, bronze sculpture in the form of beauty only give rise to long-term exposure to the environment with this art, subtle infection did not evoke the ideals and vision for Oh. As the “aristocracy” of presents, more and more Chinese sculpture in bronze walk toward the folk. Therefore, only adapt to the environment at the same time to emphasize and highlight self-personality characteristics, mining materials, the United States, combined with the specific environmental features, set only, art, fun in one, a narrative space and the coexistence of solid round neck, so diving in the garden as the crowning touch to the garden, did not form the focus.

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