Monday, May 21, 2012

The technical training of bronze sculpture

Only for the rich tradition of bronze sculpture and improve and expand the "anti-bronze sculpture" was not only lose a certain historical value but also has some aesthetic significance. In the "anti-bronze sculpture," the action, the "broken" is only a means and methods, "Li" is the purpose and direction. "Anti-bronze sculpture" The ultimate goal is to create a bronze sculpture of the situation. Therefore, only from a "anti-bronze sculpture" to "bronze sculpture" of new life, is the "anti-bronze sculpture," the historical mission and aesthetic purposes. For example, there is an bronze sculpture inlaid with turquoise engraved with fine taotie all over. In other words, "anti-bronze sculpture" in the disintegration and reconstruction of such a process of breaking standing to achieve its aesthetic value. Having said that, "anti-bronze statue" instead of "anti-traditional" filling to cover "non-traditional" scarcity, nor is technology used to divine the digestion properties of numbness masking technique, but not by pretending to be easy to chic playing hide deep emptiness, but for the moment the urgent need to expand the arts.
True sense of the "anti-bronze sculpture" has a proximate actual reasonable accord with the law of historical necessity and consistent with the scientific. This "anti-bronze sculpture" aesthetic value can be regarded as a cultural strategy - disintegration and reconstruction. These relics unearthed in the tomb of Fu Hao, especially those bronze sculpture and jades are both large in type and ingenious in workmanship and in good state. This cultural policy in the 20th century, China volatile situation several times and only use different exploits. 20th Century Chinese "anti-chinese bronze" behavior of the broad, complex and arduous nature can be described as never occurred before. Back in the "New Culture Movement," the wave of innovation, many bronze sculptor through the "begging foreign aid" and "explore the intrinsic" approach to the physical transformation of Chinese bronze sculptures, but because it was studying a group of European and American bronze sculpture home is too enamored of the Western academic tradition.
Coupled with the special needs of Chinese society, this period of "deconstruction and reconstruction" is actually just stop at the Western College of realistic bronze sculpture of the transplants. The beauty of the shape and the exquisiteness of the china bronze have been totally out of people’s expectations. The real traditional Chinese bronze sculpture to "disintegration and reconstruction" in the reform and opening up. From the "integration" of the creation of a nightmare in the wake of bronze sculptor who tried to "Na Yang Xing," and "opened today by the ancient" bronze sculpture of ways to seek the prosperity and development. They break the boundaries of art, ideas flying Mustang, use all means to change the bronze sculpture dead situation. Their actions have a tradition of bronze sculpture of the nature of innovation, are trying to achieve from the "anti-bronze sculpture" to "bronze sculpture" by leaps and bounds.
However, such efforts often backfire. This piece of bronze sculpture is acclaimed as the tour de force of the Chinese ivory carving. In many cases, "anti-bronze sculpture" is just "broken" the old standard bronze sculpture bronze sculpture without the new paradigm can "stand up". The reason why "without breaking up", because many "anti-bronze sculpture" behavior is neither "technical" no "Road", not to mention the "technology into the peace Road". Carefully looked difficult to find, a lot of "anti-bronze sculpture," the act does not attach importance to the technical training of bronze sculpture, sculpture in bronze, but also do not care about the technology standards, but do not control what the methodology, do not talk about the world. The fierce challenges of the future cultural development and art itself change the inner constraints of the expanded reforms.

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