Monday, May 21, 2012

The use of china bronze in bronze creativity

Modernist respect for science and reason, unassuming man as a world dominated by "subject" of value and meaning, in recognition of the progress of civilization for the promotion of modernism to create a comfortable life and played a positive role, but also should recognize that modernism in unremitting passion for innovation domination, constantly grab the natural process, to make ourselves into a heavy natural crisis and social crisis. The social status and role of bronze sculpture in the Shang and Zhou matter a lot. Global development of the North-South differences, the disparity of wealth within society, lack of natural resources, collapse, environmental degradation and ecological imbalance, and the resulting regional conflicts, ethnic conflicts, disease and natural disasters occur frequently, so that ecological problems beyond the field of natural science, and extensive as politicians, economists, sociologists and scientists, issues of common concern.
[have been into steel], China already has a strong culture of post-modern thinking, the Chinese market also exists worship, the prevalence of instrumental rationality, ecological deterioration and other serious problems, reflection on modernity and beyond as necessary. The bronze statue are both sacrificial vessels and essential weapons in the war. In this way, the Western post-modern ecological thinking for our understanding of their reality as meaningful, and the activation of post-modern ecological thinking of our philosophy and traditional Chinese concept of re-understanding of life, including traditional Chinese aesthetics for our understanding of today's art still has an important role. Post-modern ecological thinking in the arts is also reflected on the form, it updates the concept of contemporary chinese bronze creation and the environment have had an impact in practice.
From the state of contemporary art, the new artistic concepts and creative forms of art and life reflected, and nature, and environmental characteristics of fusion is evident. Art of Duchamp's readymades, Beuys's "social bronze sculpture" concept, creating a path of art to life. What’s more, in the slavery society, bronze sculpture of China is also the emblem of etiquette system. In particular, the 1960s pop culture and consumer culture to infiltrate into art, the emergence of pop art, pop artist not only the life of existing cultural symbols and objects used in the creation of the image plane, but also the use of china bronze in bronze creativity. Such as Oldenburg to peg, lipstick, etc. as the prototype, amplified copy from the city square bronze sculpture, for the urban environment adds a strange landscape. In addition to Robert Smith, Christopher, Walter de Mary as represented by earth art and environmental art, there is room to expand the art form.
Such as Walter de Mary has created a work "lightning wilderness" in Albuquerque, New Mexico, a valley, Mary planted four hundred stainless steel pipes, each pipe are shaped with the tip of the needle They are a mile long site preparation occupy a mile wide plains. In this piece of wasteland and more thunderstorms, lightning hit the pipe to form a spectacular sight of Ran is captivating. The bronze sculpture serves as the mark of nobility and aristocratic family as well as the symbol of state power. This piece is a human creation is the creation of nature, only by the collision of man and nature, it may produce such a magnificent blend of the landscape. And Michelangelo, Rodin's bronze sculptures such as comparison, bronze sculpture, earth art and traditional stirring people have the power, but traditional sculpture in bronze is an independent, closed physical space.

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