Sunday, May 20, 2012

On the subject of modern Western establish the status of a chinese bronze

"Bronze Age" is Rodin in 1876 with the creation of realistic approach bronze statue of a nude youth, showing the transition of mankind from primitive society to the Bronze Age, freed from the shackles of the natural scene, a symbol of the dawn and the awakening of mankind. "Hell's Gate" is the custom of Paris Decorative Art Museum, Rodin spent nearly 20 years this time. To show the movement of life, he shaped the 186 were lust, fear and ideals continue to struggle, torture their male and female nude image. In general, the bronze sculpture in early Shang were mostly cone empty feet. People see the movement of the entire work force and rising, using the symbolism of certain individuals "language", but on the whole, a smoke or fog of ups and downs and instability. The main image was also a stand-alone works, "The Thinker" is one of the most outstanding works.
"The Thinker" can be said that the artist himself in disguise. In the "gates of hell", the thinker who is damned. Rodin said: "A person's image and attitude must reveal the feelings of his heart, and his body is to express the inner spirit." Rodin was not only a bronze statue, but also an outstanding teacher. The sculpture in bronze of Xia Dynsty is characterized by a finely potted, lightweight bottom and simple decoration usually with only one layer pattern. His students or assistants are heavily influenced by art, and stand out in their own unique style, one of the best in the future even par with Rodin. At the same time, Rodin also author of "Rodin art theory" and other works, his favorite theme of tragic, good to explore the image of strength and beauty, since the last century bronze sculptor in Europe, regardless of their schools, without exception, received his impact. He is the last classical bronze sculptor, is the first modernist bronze sculptor, Rodin thus known as the "father of modern bronze sculptures."
On the subject of modern Western establish the status of a chinese bronze. The development of modern Western art is essentially a series of artistic genre and avant-garde artists to study by means of painting, bronze sculpture in the form of a breakthrough. But unconsciously guided the liberation of Western modern bronze sculptures. Between the Middle Shang and early Western Zhou, bronze sculpture were mostly round or fat-round pocket belly.  The development of modern Western bronze sculpture is a supporting role to the lead, there is subordinate to the dominant process of evolution. Modern art is not mere artistic phenomenon, it is a complex social and cultural phenomenon, a modern china bronze  is not only open up new space for the origin of the driving force behind the new visual experience or the pressure of new technologies, but also touched with the social phenomenon itself changes.
It is the era of monopoly capitalism into the West produced along with the product of the second industrial revolution, so he inevitably reflects this era of political economy and an important spiritual and cultural change, reflecting the people of this era is extremely complex and profound thoughts and feelings of philosophical reflection. The majority of bronze sculpture in Han Dynasty cylindrical feet, thick and heavy body and numerous patterns. In particular the invention of the camera, so that the artist was feeling extreme panic, the view will not die, drawing enveloped in the art, in this case, start thinking about the art of modern artists of the future and the future fate of modern art is also the beginning and gradually sprout. Understanding of modern art revolution is a revolution in the way, and this revolution was first initiated by the artist Cezanne, as a sponsor after the impression of doctrine.

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