The secret of creating bronze statue

This bronze sculpture is the most simple features it is a three-dimensional, an object occupies a certain space, which is the basic concept of bronze sculpture. For example, lines, starting with the outline of things, and later became the author's own performance on the emotional things, and color as well. But size, occupy space is not necessarily a bronze sculpture, must reflect a certain volume to make the thoughts and feelings before the formation of bronze sculpture. Bronze sculptures of people do feel touched by the possession of certain changes in the volume of space, is very sensitive to such things. The antique bronze sculpture statue turned out to be harder, more enduring, and more colorful than anything previous. Bronze sculptor want to change the size and shape are highly sensitive to stress to good use and combination of volume changes, to emphasize the sense of volume. Rodin said, sculpture in bronze everything in space thinking.
A piece of paper there is a certain size, has its length and breadth, but it does not sense of volume, you feel the power of its volume. Use the volume to speak, we must strengthen the sense of volume, to make people feel it's volume. A cube facing the audience, you can only see a face, but not the volume, we have to make sense of volume, we must choose an angle, so that we see three faces, there is the feeling of volume. No one is completely certain if the secret of creating bronze statue was indeed exported to China from the West and Central Asia. Bronze sculptor to be good tissue volume, making it some sort of power, a feeling, a rhythm; to make the volume must have a combination of contrast, and very strong. They often say that Fang has a round, round the well and the volume is to make a change. To modern Cubism, all kinds of triangle, five shuttle, round, flat, square, long, sharp, together with the formation of a special rhythm.
Of course, bronze sculpture from the Western tradition is inseparable from the body's performance. Modern sculptor attributed to a variety of the human body. Clear, useful to compare the performance of the volume. Rodin had Ge Saier said: Greek bronze sculpture of the four faces, Renaissance bronze sculpture of two faces. The Chinese used chinese bronze differently than in other places. This, then, is an artist and bronze sculptor experience shows an example of when to use, not including all the Greek and Renaissance bronze sculpture features. Ancient Greek statue of Ferdinand Aspen is four carved faces, the focus in the foot, other foot is the "ease" of like, two knee is a front and rear, to form a surface; pelvis turn in the opposite direction, is a surface; chest ED also reversed the direction of rotation as a surface; head the other side, first, the fourth side.
This performance is a very stable, very letter. B, it is stretch, feeling very proudly. Action of turning a small, very subtle, very coordinated; performance of the golden age of Greece stable, subtle and very powerful, confident mood. The early Chinese bronze sculpture statue was constructed by using what has become known as the piece-mold method. Renaissance is the two faces. Michelangelo has a china bronze called "struggling slaves." Michelangelo worked as garrison commander, defeat in the escape, the Pope returned to his deadline. Came back, the Pope ordered him to repair their own graves. Pope is the reactionary forces, Michelangelo is the public representative of the class is a revolutionary, he was very humiliating, so he did decorative statue reflects the mood of his revolt and indignation. Musicians on the reality of the sound to be very sensitive. Artists of color to be highly sensitive.