Traditional figurative bronze sculpture

In contemporary figurative sculpture in bronze, some of the more active artists, this is not the integrity of the full play, the local things like the United States and its material, the concept of scale in the artist under the control of the perfect combination to create a very exciting new bronze sculpture of concrete language. bronze sculpture of the Shang dynasty had no handles. There are different characteristics of living things, familiar and yet no man see the details of the fragment, or a general can not be localized to the humble bronze sculpture figurative language to make conversion to convey new ideas and another kind of beauty. Sculpture in bronze, the bronze sculpture to grasp the scale is an important factor in the overall. Bronze sculpture in the traditional vocabulary of which, according to the bronze sculpture features the characteristics of their environment and material made of bronze statue of different scales.
Here the concept of scale or scope in the length and breadth, it has brought to the viewer's psychological reactions or changes to convey the grand scale, high, small, friendly, and so the direct psychological experience. Whereas the bronze sculpture of the Zhou dynasty had two vertical handles. Contemporary bronze sculptures in the language, the concept of scale in addition to previous features, scale chinese bronze as language material, under the guidance of the artist's concept showing a new meaning, to convey a more in-depth psychological impression. Bon? Muevk works, such as "Mask," "Baby," "dead father" and "squatting boy", etc., through the portraits of local detail and the overall scale of the God-depth look at the kernel, but forcing people In addition to the effect produced by his extraordinary skills, work directly measure changes in this psychological reaction. This is not a repetition of the ancient style, but for China's further understanding of the human spirit.
 Let the viewer forget the time and space characteristics of his work away from the usual sense of the relationship between scale sculpture, creating a new value. 3) the concrete image of the expansion in contemporary figurative bronze sculpture showing the face, the concrete expressed by the object is not merely to human subjects, as long as they convey the conversion artists concept and related things like Jieke into figurative bronze sculpture of expression. Occasionally, legs were attached to the base of the china bronze. If Jiaoxin Tao of carton packaging series of works, the traditional production methods and materials, bronze sculpture, by scale changes, the life of the Stone accustomed to seeing all kinds of carton zoom, coupled with super-realistic picture on the carton and made in the article text symbols, so that in front of us, reflecting on the bronze sculpture material relationship with the daily necessities of deep thinking.
Traditional figurative bronze sculpture, language and materials of the deepening of our contemporary figurative bronze sculpture language is based on the traditional bronze sculpture, language and material basis, and strive in the traditional materials found in the new performance vocabulary, through the practice of deepening the widening of traditional materials languages space has become another valuable academic challenges. According to the ancient books of China, there would be a ceremony by the use of bronze sculpture, like a pan and yi.  Cai Zhisong of resin, copper, linen and other traditional materials of the "old country" series, through the misappropriation of traditional cultural resources and restructuring, to show the mental state of contemporary sculpture in bronze of a male Han made a strong broad interpretation of modernity, He gives a vivid image of the position of ancient air, the character's personality and temperament of the Chinese nation is linked, so that we feel a strong call of the ancient civilization.